Having discovered that her dying husband has an illegitimate child living in Florida, a devout Christian housewife leaves her sheltered world on a mission to reunite father and son. 　　When a dutiful, albeit barren Christian housewife discovers that her devout husband has suffered a stroke at a sperm bank where he's been secretly donating his seed for the past 25 years, she leaves her sheltered world and starts off on a journey to find his eldest biological son - a mullet-headed, foul-mouthed ex-con with whom she develops an odd but meaningful relatiоnship.

内布拉斯加州崖燕的翅膀越来越短，切萨皮克湾的海龟却越来越大。在加拉帕戈斯群岛上，不同的物种正在退化成最开始的模样。为什么会出现这些现象？答案很简单：因为我们。人类已经把这个星球变得面目全非——我们把草原和森林变成了田野和城市，污染了空气和水。这些变化会以非自然选择的方式改变进化的进程。

无数的光芒闪耀着五颜六色，浮游在空中的无重力空间——“知识之箱”。 那里有着众多的世界、众多的时间、众多的人。 杜娅尔和多萝茜两人在那里与敌人战斗着。 敌人，那是侵食世界的存在——病毒。 被病毒污染的世界，非得消除掉不可。 这就是她们的任务、她们的工作。 在某个时刻，杜娅尔和多萝茜感知到了新的病毒的出现。 在那里，有一位被病毒袭击的少女。 将少女救出来的两人，静静地等待着她醒过来。 少女是什么人——来自何方，去往何处。 不久后，少女醒了过来。 这位少女自称为“莉莫”，不断低语着一句话——。 “不回到花田的话……”。

因为今年春天导入的“校园律师制度”，新人律师田口章太郎（神木隆之介）被律师事务所的老板高城（南果步）派遣到青叶第一中学。监护人水岛（堀内敬子）正在向班主任望月（岸井雪乃）抗议，因为自己的女儿受到了体罚。田口说，“你现在的行为是强行妨碍营业”，赶走了监护人。校长仓守（小堺一机）因为大事化小和平解决心情很好，但是教务主任三浦（田边诚一）对田口的做法提出反对。几天后，体罚问题发展成了谁也没想到的状态…

暂无剧情简介

战前日本最重要的无声电影之一。 　　This resolution recurs in several of Hiroshi Shimizu's silent films, of which Eternal Heart (Fuei no Shiratama, 1929) was shown at Pordenone. This film examines different aspects of modernity through the personalities of two sisters. The elder is in love with Mr Narita, but he marries the younger, only to find that she neglects him and spends her time attending parties and drinking. Thus summarised, one might read the film as essentially conservative - an indictment of a "modern" woman who fails in her wifely duties. But the older sister also personifies an aspect of modernity, since she works as a typist in a Tokyo office. Courted by her boss, she is introduced to his children, who speak scathingly of her profession, and criticise the morality of working women. Here, Shimizu's sympathies are clearly with the modern, professional woman against the spoilt and judgemental upper class. The film's intelligence, in fact, lies in its ambivalent attitude to the modern - an ambivalence that one can trace through Shimizu's later and finer silent films. Unfortunately, the narrative resolution is unsatisfactory; the hero's departure from Japan and the heroine's marriage to her boss fail to answer the problems that the film has posed. The final escape seems a contrivance, though it may be that this failing is to be blamed on Kikuchi Kan, author of the original novel, rather than Shimizu. 　　http://www.midnighteye.com/features/pordenone-silent-film-festival-2005.shtml

20世纪70年代，法国城市住宅建设如火如荼。老导演鲁热里Rougerie（米歇尔•皮科利饰）为了安静地为他的下一部电影写剧本，租住到皮埃尔Pierre（米歇尔•奥蒙饰）管理的豪华公寓。入住的当天晚上，他就收到了失业邻居安娜Anne（克里斯蒂娜•帕斯卡尔饰）和马塞尔Marcel（热拉尔•朱尼奥饰）希望他参加公寓业主会议的邀请，鲁热里因无所事事而欣然接受。不久，他便陷入到繁忙的合法索赔事务中，为了越来越令他为之牵绕的迷人女孩安娜，为了邻居们的权益，也为了自己的责任……

以服务的视角，关注民生，体察民情，节目集贴近性、服务性、权威性于一体，彰显实用、亲和的媒体风格，记录百姓原生态生活。

以服务的视角，关注民生，体察民情，节目集贴近性、服务性、权威性于一体，彰显实用、亲和的媒体风格，记录百姓原生态生活。

在一个普通的小山村，英子和哥哥顺子以及父亲过着平凡的生活，让她不惑的是父亲一直偏向于哥哥，不让自己上学，全家省吃俭用供哥哥读书。最后真相大白才明白了父亲的心酸和无奈，哥哥是父亲朋友的儿子，只为了一份嘱托和承诺。最后哥哥和兰花在家人的支持下，奉子成婚，英子也找到了属于自己跌归宿，过上了美满幸福生活。