外卖员赵凡被毒贩杀害，意外穿越仙魔位面，一拳打退绝世魔君，并与女帝发生露水之缘。然而，他并不知道，自己已然绝世无敌，竟然拜入玄天宗，做起杂役弟子，扮猪吃虎.

外卖员赵凡被毒贩杀害，意外穿越仙魔位面，一拳打退绝世魔君，并与女帝发生露水之缘。然而，他并不知道，自己已然绝世无敌，竟然拜入玄天宗，做起杂役弟子，扮猪吃虎.

外卖员赵凡被毒贩杀害，意外穿越仙魔位面，一拳打退绝世魔君，并与女帝发生露水之缘。然而，他并不知道，自己已然绝世无敌，竟然拜入玄天宗，做起杂役弟子，扮猪吃虎.

The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

别人穿越皆成龙傲天式强者，他却不幸穿成一条狗，金手指 “小金币” 仅能复制无用破石头。在危机四伏的妖灵山脉，他艰难求生半年，终日与野兽争食、与孤寂相伴。 转机降临在一座隐秘洞窟，三枚先天灵果近在眼前，却被神秘女仙截胡，他更被捉去与毒虫一同投入丹炉，沦为炼丹材料。绝境中，他冒险吞下灵果，意外觉醒 “吞天” 神通，不仅口吐人言、灵智大开，还获得磅礴妖力。 趁丹童不备，他叼走记载神秘呼吸法的兽皮书逃出生天。此后，他以妖身踏修仙路，凭吞天神通纳万物，从人见人欺的 “废柴狗”，一步步成长为搅动风云的大妖。这是反套路、高燃又幽默的异世界冒险，书写了一狗、一书、一神通闯天下的逆袭传奇。

李无妄某天突然觉醒，发现自己作为反派，正挟持万潮宗圣女晚筝出逃。就在李无妄还没反应过来时，面前出现的“系统”则快速向其发布了任务：剥夺天命之人的天命值。要么完成任务活下来，要么任务失败，成为死于天命主角剑下的蝼蚁。