从大陆迁往台湾的一家人，在表面平静的日子下，各怀心事。祖母（唐如韫）对大陆念念不忘，一心想回去；父（田丰）母（梅芳）虽也有“外省人” 身份的尴尬…

这是一部介于剧情片和纪录片之间的电影。奥利维拉借助这种混合了纪录与虚构的手法，重塑了葡萄牙的著名城市同时也是他的故乡的波尔多。影片中穿插着照片、过去拍摄的电影片段，以及今日的真实场景和奥利维拉虚构的往日景象。在其中个人和历史之间的界线在这样一种追忆中消失掉了。街头的任何一角都如奥利维拉所说的“时间的艺术”——电影的一部分。它们是灵魂的闪现。影片结束处，镜头驶向了入夜之中的波尔多的大海，灯塔的灯依然...

阿明大学毕业后回到老铺，起初对传统手艺心存浮躁，认为跟不上时代。但在跟随奶奶从“开样”到“盘扣”的制鞋过程中，他逐渐领悟到一针一线里蕴藏的“人气”与匠心。当祖孙俩联手改良新样式，铺子迎来新客时，老手艺在传承中获得了新的生命。

小男孩科利亚（Kolya）意外地与他素未谋面的父亲初次相遇。父子俩重新认识彼此，克服了内心的误解以及人生道路上的重重障碍。

爱瑟和杰马尔是一对苦于不孕的年轻夫妻，经人介绍后杰马尔决定抱回一个小孩当作自己的亲生儿。面对生活中凭空出现的婴儿，爱瑟感到莫大的压力，两人因此发生争执，而后杰马尔竟不告而别，爱瑟顿时成了单亲妈妈，这对无血缘关系的母子该何去何从呢？

Which human skills are we trying to learn the forthcoming generations? Childhood is observing 6-year-olds in a pre-school in Nesodden outside Oslo in the Direkt Cinema-tradition, made to debate when children are put into a school situation.

由Ismael Ferroukhi等六位导演联合执导，影片由六个短片构成，每一段短片都聚焦一位导演的童年经历，且每段短片直到结尾才会揭晓主角身份。这是一部极富创意的精选合辑，堪称电影迷不容错过的佳作。影片涉及的导演包括《大都会》的佛瑞兹·朗、《野草莓》的英格玛·柏格曼、《大国民》的奥森·威尔斯、《大幻影》的尚·雷诺与贾克·大地，还有惊悚大师亚佛烈德·希区考克。

Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu', a local mobster. Neither of the two worlds (his family and the mafia) knows of the other's existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can't find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.

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