刚出生的李思寒因患有严重的肾病被亲生父母抛弃，好心人李天河夫妇收养了他，并悉心养育照顾。思寒的妈妈为了给儿子积善行德，自愿主动前往山区支教，结果在救学生时被泥石流冲走而失踪。为了思寒的身体和心理健康，李天河一边对儿子编织各种善意的谎言，一边不放弃寻找妻子的下落。缺少母爱的李思寒日渐消沉，学习成绩直线下降，与同学之间的关系也日益紧张，学习成长中的问题日益累积。在与同学无意间的对话中得知真相后，李思寒经受不住打击，病情严重，危及生命。为了挽救儿子的生命，李天河毅然捐出了自己的肾。不久，山区那边也传来了好消息。

刚出生的李思寒因患有严重的肾病被亲生父母抛弃，好心人李天河夫妇收养了他，并悉心养育照顾；思寒的妈妈为了给儿子积善行德，自愿主动去山区支教，为了救学生被泥石流冲走而失踪；为了思寒的身体和心理健康，李天河一边对儿子编出各种善意的谎言，一边不放弃寻找妻子的下落；缺少母爱的李思寒日渐消沉，学习直线下降，与同学之间的关系日益紧张，学习成长中的问题日益累积；在与同学无意间的对话中得知真相，经受不住打击，李思寒的病情严重，危及生命，为了挽救儿子的生命，李天河捐出了自己的肾。不久，山区那边也传来了好消息……

Which human skills are we trying to learn the forthcoming generations? Childhood is observing 6-year-olds in a pre-school in Nesodden outside Oslo in the Direkt Cinema-tradition, made to debate when children are put into a school situation.

由Ismael Ferroukhi等六位导演联合执导，影片由六个短片构成，每一段短片都聚焦一位导演的童年经历，且每段短片直到结尾才会揭晓主角身份。这是一部极富创意的精选合辑，堪称电影迷不容错过的佳作。影片涉及的导演包括《大都会》的佛瑞兹·朗、《野草莓》的英格玛·柏格曼、《大国民》的奥森·威尔斯、《大幻影》的尚·雷诺与贾克·大地，还有惊悚大师亚佛烈德·希区考克。

Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu', a local mobster. Neither of the two worlds (his family and the mafia) knows of the other's existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can't find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.

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该片探讨了我对父母的理解；通过观察他们已故的越战难民父母、曾经的祖国如何进入他们的梦，将他们看作独立于父母角色的个体。为了将我的父母视为丰满的个体，我需要做出什么让步？从接纳他们的完整性中我将获得什么？我父母的家乡维吉尼亚州安纳德尔和纽约皇后区，我使用16毫米摄影机、越南语收集了他们的梦想、故事和回忆。越南语是我父母的母语，而英语是我自己的语言。我们在拍摄这部电影时用越南语交流，我慢慢将他们的话翻译成英语。 An exploration of a woman's parents and who they are as former refugees of the US War in Vietnam.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

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