「平家物語」「薬屋のひとりごと」で絵コンテ・演出を務め「TOHO animation ミュージックフィルムズ」監督にも最年少で選出された、新鋭ちな監督が紡ぐアニメーター物語。「アニメーション＝生命を吹き込む事」の面白さと残酷さを、劇中劇として大胆に描いていく。音楽は活躍目覚ましい唯一無二のピアニスト・角野隼斗と奇跡のタッグが実現し、フィルムスコアリングで作品の隅々まで音を彩った。28歳の若き天才2人が贈る、"音も楽しむ"新感覚アニメーション。

由国家广电总局网络司和国家卫健委宣传司指导，中国人口宣教中心与优酷网、中国传媒大学联合出品的5集纪录片《第一线》，深入武汉七家疫情患者收治医院，真实记录了疫情爆发后的50多天里，深处疫情漩涡的武汉的真实状态——有来自国家紧急救援队的医生,日夜奋战在第一线与死神争夺生命的惊心动魄；有临时搭建的方舱医院内，数千病人集体生活的细节描摹和内心告白；有普通人在灾难中成为奔走救助，热心义举善行的志愿者的动人故事；有居家隔离在自我约束中展示坚韧的普通百姓……一个个真实的故事，展示这场疫情中的人间真情。

《韩流第一线》搜狐视频出品的一档日播韩娱资讯类栏目，更有韩国第一线记者带来最新最鲜的韩娱资讯，深度解读韩娱最麻辣热点话题，让您足不出户便能掌握第一手韩娱动态。

《中国第一线》是一部采用第一人称叙事的散文风格纪录片，全长45分钟。这部影片以长春市双阳水泥厂为线索，在当时号称“中国第一线”，是一家有着辉煌历史的国营企业。作为水泥厂配套规划的家属区里长大的孩子，导演张瀚文的童年回忆和家族故事与这里紧密相连。如今，他故地重游，重温儿时记忆中的故园风雨，探访尘封于老照片中的陈年往事，再现集体生活的今日面貌。 The First Line of China is a 45-min essayistic documentary in first-person narrative, which presents and examines the current status of an isolated industrial town in Northeast China, as well as the director's relationship with it since it’s his birthplace. The town was constructed simultaneously with a local state-owned cement factory to feed and host the workers who migrated here. The director considers this factory-town model as a combining result of the urban planning scheme and the radical industrialization of China in the 1980s, while the communal living experience serves as a bearer of both collective memory and individual sentiments.

This was the first break-through success of a Poliziotti Italian crime movie and spawned several dozen imitations. Possibly the best film ever made, High Crime delivers the goods like few other movies, blending some experimental filming and editing techniques in with some good performances, solid action sequences, great music, and some pretty stunning photography by Alejandro Ulloa. Unlike a lot of other crime flicks made around the same period, this film isn't sympathetic at all to the villains. They are cold and heartless thugs who's so anything to keep themselves out of jail where they rightfully belong. This film is completely fascist and right-wing in its undertones, yet maintains an engaging level of emotional impact throughout. The scene where Franco Nero discovers his daughter dead made me almost want to cry... and Castellari expertly handles the flashbacks and knows just when to use slow motion in all the right spots. This wasn't the film which set the trend in Italian crime films (see Violent Professionals) but it was an excellent film which caused their widespread (yet short-lived) popularity. Certain elements (like the getting-in-car-gun-down) were endlessly repeated in the genre by Castellari himself as well as his father Marino Girolami, who totally ripped off the ending of this film in ROMA VIOLENTA, a much more typical film in the genre with Maurizio Merli, who although is not as good an actor as Franco Nero, is much more intense as the leading man in these sorts of films.

穿戴在身上的摄像机提供了美国各地执法人员日常活动的实际镜头。拍摄的录像与第一手资料相结合，以深入了解警察每天遇到的危险情况。

国内第一档以法治深度报道为主要内容的专题栏目。《一线》栏目将从社会与法频道的专业定位出发，立足于法治，放眼于社会，求“专”求“深”，全面、深入地报道法治热点，解读相关政策法规，致力于打造中国法治媒体深度报道的第一品牌。

前警察局长Rav Wilding回归自己的​​根源，沉浸在埃塞克斯警察局的专业行动部门，因为他们击倒了前线的犯罪。 Rav利用他八年的警务经验，将观众带到了行动的中心，让观众对他们的犯罪斗争有了独到的见解。每一个快速移动的情节都紧随着Rav，他将自己埋在厚厚的军官面前 - 从黎明突袭毒品半身像到搜捕武装劫匪。警方专门负责清理我们的街道和执法人员的故事，暴露在警察尖锐的工作现实。

史无前例的巨大风暴即将从墨西哥湾登陆，一群电力工人为了保护城市电网在风暴中正常运作，必须面对无与伦比的挑战。

The misadventures of three young football players Mattie, Jack and Benji, at a fictional Premier League club with terrifying team hard-man Petey, mercurial Italian manager Cesare and eccentric chairman Mark Crane.