Artist-turned-filmmaker Milisuthando Bongela offers up a personal and visually striking self-portrait of a life that grapples with the legacy of South Africa’s past. In her poetic debut feature documentary, Bongela takes us on a sensory journey, opening up a memory chest that explores the far-reaching consequences of Apartheid. Narrated in chapters by the filmmaker, she moves beyond the grand symbolic gestures of a ‘rainbow nation’ to convey what it actually means to be born Black in South Africa, and to explore the thorny blanket of freedom that was laid at the feet of its citizens. Powered by Bongela’s memories of a youth spent in the all-Black Xhosa homeland of Transkei, this skilfully edited film charts South Africa’s recent past, less as a history lesson, and more as poetic reflection on a nation borne out of a violent system. 源自：https://www.sheffdocfest.com/film/milisuthando

The live recorded stand-up special of Sarah Millican's Bobby Dazzler tour.

Sarah Millican returns with a brand new live show. Performing to her home crowd at the Newcastle Tyne Theatre, the British Comedy Award's Queen of Comedy is giving up the party scene (Ann Summers), easing off on the drinking (fizzy pop equals wealthy dentists) and is settling down (taking her bra off).

莎拉·米利根讲述了她从尴尬的青少年成长为自信喜剧演员的历程，以幽默的方式回忆了校园恶霸、公共淋浴间以及她那些令人尴尬的私密经历。

The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles The diptych The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati) (2001–03) is a segue from Workers, Peasants (2001) and Straub and Huillet’s third film based on the writings of Elio Vittorini. The film returns to Vittorini’s Marxist novel The Women of Messina (1973) about a community founded after World War II by workers and peasants from different regions of Italy. In the film, the commune is threatened by the pressures of a restructured post-war world, of its laws and politics, and by the forces of history from which they had hoped to protect themselves. Dolando (2003), was made as a gesture from the filmmakers to their crew. One of the film’s actors, Dolando Bernardini – who also starred in From the Cloud to the Resistance (1979) – sings a capella three verses from Torquato Tasso’s Jerusalem Delivered (1581). The Return of the Prodigal Son/Humiliated will be screened in its original 35mm format. Programme The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles. Incantati, Dirs. Jean-Marie Straub and Danièle Huillet, 2002, Italy/France/Germany, 35mm, 6 min., Italian with English subtitles. Dolando, Dirs. Jean-Marie Straub and Danièle Huillet, 2003, Italy/France/Germany, 7 min., Italian with English subtitles. https://archive.ica.art/whats-on/return-prodigal-sonhumiliated-incantati-dolando/

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A man whose search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal.His excitement at meeting his long-lost mother and twin brother soon turns to horror when he discovers he is linked to them by a monstrous secret.

意大利政治寓言片.它以一种带有神秘,隐喻和恐怖色彩的幻想手法来抨击当时统治意大利的天主教民主党,揭露当权的政客,教会神职人员和大财团之间互相渗透,勾结的社会现实.对掌权人物的病态心理,以及他们的腐败和罪恶进行批判和分析.背景设置在一次意大利全国发生疫情的形势下,在一个隐秘酒店的地下建筑里,教会正在举办一个为期三天的,由上百名意大利天民党上层精英--天民党的政治领袖，大银行家，企业家等等参加的年度灵修会，其宣称的目的是帮助他们涤罪,无论他们过去作过什么大小坏事,只要进行忏悔，在这里都可以得到上帝宽恕和净化.这里表面上看像是一个大酒店,但在它的“地下墓穴”（catacombe）里，建有很多宗教气氛的场所以及独立的小房间,以便每个人可以在其中静思和得到灵感.而实际上，在这种看似神圣的环境中，却进行着大量肮脏的政治，宗教，权力，信仰之间的交易。

Sarah Milliccan's live comedy show, exploring the topics of her relationship, pets, and outcast experience as a child.