电影回溯了一战期间规模最大、伤亡最为惨重的战役。这场战争造成了持续不断的混乱局面，超百万人在战火中失去生命，而且最终并未取得真正具有决定性意义的军事成果。影片以反战作为核心主题，向世人发出警示：在战争里只有受害者，不存在赢家。

The Battle of the Somme (1916) is one of the most successful British films ever made. It is estimated that more then 20 million tickets were sold in Great Britain in the first two months of release, and the film was distributed worldwide to prove Britain's commitment to the First World War. It is the source of many of the conflict's most iconic images. The Battle of the Somme gave its 1916 audience an unprecedented insight onto the realities of the trench warfare, controversially including the depiction of dead and wounded soldiers. It show scenes of the build-up to the infantry offensive, including massive preliminary bombardment, coverage of the first day of the battle - the bloodiest single day in the British Army's history - and depictions of the small gains and huge costs of the attack. As a pioneering battlefield documentary, the very concept of The Battle Of The Somme outraged commentators on its release, inaugurating a debate about the on-screen depiction of combat that continues to this day. Its use of a staged sequence to represent the opening of the assault also set the scene for continuing controversy about the 'truth' of the documentary format. The film's importance was recognised in 2005 by its formal inscriptions in the UNESCO 'Memory of the World' register - the first British document of any kind to be included. The film has been digitally restored, offering a startling improvement on previously released video versions. These words of welcome are by David Lloyd George, Secretary of State for War and where read at the film's first screening on 10 August 1916. This was barely a month after the events it showed. To its original audience the film was not history but a dispatch from the front. This film was shot between 26 June and 7 or 9 July 1916 at the Somme front by Geoffrey Malins (29th Division of VIII Corps) and J.B. McDowell (7th Division of XV Corps) and had it's première at the Scala Theatre in Clapham on 10 August. Geoffrey Malins filmed the offensive from positions near Beaumont Hamel in the northern parts of the battlefield, J.B. McDowell was based further south near Fricourt.

The Heroes of the Somme uses original archive from the Western Front to uncover the stories of seven of the men whose remarkable bravery won them the Victoria Cross, Britain's most prized military medal. The WWI Somme offensive lasted 141 days and involved 13 Allied nations fighting 14 separate battles. Day One of the battle, 1 July 1916, was the worst in British military history with 60,000 casualties. By the end of the offensive the total for both sides was a million. This extraordinary sacrifice was made for just six miles of empty farmland. Of roughly a million British and Dominion troops who fought on the Somme, just 51 were awarded the Victoria Cross. In this programme, military historian Dr Gavin Hughes travels to France to piece together the stories of seven of them. Their experiences, covering four key days of the battle, tell the story of the entire offensive. Gavin uses a copy of a 100-year-old battle map to navigate the Somme landscape today, using the map to pinpoint the locations of individuals and the battalions they fought in. The VC winners featured came from England, Northern Ireland, Republic of Ireland and New Zealand. These men came from every rank and social background. The programme features contributions from leading historians, who explain the broader context of the battle and describe how the offensive has come to be remembered, rightly or wrongly, as a exercise in futile military sacrifice. Meanwhile, interviews with surviving family members reveal the personal stories of each character, exploring the differing fortunes they experienced, and the variety of reasons for which they fought. This programme reveals their differences, but also what made them the same - they all risked everything, won the Victoria Cross and were genuine heroes of the Somme.

索姆湾沙丘发现一具男性游民的尸体，其背上有猎枪造成的枪伤。德巴克和新同事伯杰负责此次调查，但德巴克不按常规的办案方式引发了当地人的不满，给案件调查带来了困难。

已过哺乳期却仍未断奶的央金（央金拉姆 饰），在妈妈第二次怀胎后被强行断奶，这无意间对央金内心造成了一些疑惑，感到父母对她的宠爱渐渐丧失，这使她感到万分不安。央金的爸爸格日（格日才旦 饰）因为父亲出家修行，从小缺乏父爱，性格非常孤僻，不善于爱的表达和沟通，他无法察觉到央金内心的危机和焦虑。一家人各自内心互相深爱，又因缺乏沟通与表达，央金内心的创伤在大人的世界无所察觉。父亲的人生追求成为了格日内心的伤口，妻子也无法理解格日的苦衷。于是一家人各自沉陷在自己内心的阴影中，互相隐瞒和诉说谎言变成了唯一的出路。三代人的世界被一条河水隔开，越显冷落。他们各自在成长、各自在解脱、各自在面对自己。

An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.

《河》描写了水文站站长张雨河与徒弟小李传承事业、与妻子史琳收获爱情、与女儿张倩消除隔阂三段情感故事。该影片通过张雨河和爱人史琳年轻时因汾河结缘的恋情，带出汾河沿线的秀美山川和人文故事，借助张雨河的日常工作将新时代太原人的奋斗者形象展示出来，充分表现出汾河文化滋养下独特的人物特征和人文情怀。

民国初年的天津卫，数十名下水道工人的离奇死亡搞得人心惶惶，从河道漂出的破碎尸体更让神婆断言水鬼出没，津城大难降至。下岗警察顾致远依靠在码头接点小活来维持他和女儿玲珑的生计，这天，暴虐的河兽冲上岸肆意损毁着房屋和生命，更掳走了顾致远的女儿玲珑。为了救回女儿，顾致远和原本关系冷淡的亡妻姊妹唐小唯联手，踏上了一场关于生命、关于亲情也关于自我的救赎之旅。

河里频繁发生死亡事件，傻子哭喊着说有水怪，奶奶直呼村里招灾了，在宁静的乡村，一场突如其来的“河灾”打破了往日的平和。村民刚子在村头老树下悠闲晒太阳时，被傻子惊慌失措的呼喊声打断——河中出现了未知的野兽，正在吞噬鱼虾。起初，村民们对此半信半疑，但随着河中死鱼烂虾的大量浮现，以及村中家禽接连神秘死亡，恐慌逐渐蔓延。