Amber Gray catches the attention of an elite group of students during her first semester at university. During the initiation, Amber and the York Witches' Society unintentionally awaken an ancient evil that has been waiting to finish the job it started centuries earlier.

加里．库珀荣获金像奖最佳男主角的代表作。他饰演一名来自田纳西州的农村子弟，个性纯朴，而且是一个虔诚的教徒。他被逼参加了第一次世界大战，但是他以宗教理由不肯杀人，然而这样的一个人却成为美国的战争英雄。这是一部取材比较特别的战争片，导演霍华德．霍克斯藉着一个教徒对战争的态度来探讨战争的本质，主题发人深省，所以本片在二次世界大战刚发生的1941年推出首映时引起了相当大的轰动，今天看来也依旧有它的思考性和娱乐性。

Biophilia Live is a 2014 British concert film by Björk, directed and edited by Peter Strickland and Nick Fenton. The film features Björk performing tracks from her Biophilia Tour, which started in June 2011 and ended in September 2013. It was filmed at Alexandra Palace in London on 3 September 2013, and screened in hundreds of theaters across the world in 2014. The film has been released on digital download, on DVD and Blu-ray on 25 November 2014, and subsequently on CD release with the live audio.

Sent to music school at the age of 5, and at the age of 11 released her first album. But, she felt funny about it, 'cause it wasn't her work. Then she got involved in punk. Shows GREAT video of Einar Orn in Purrkur Pillnikk and Bjork in Tappi Tikkarass, and shows her book Um Urnat! And clips from the Kukl video "Anna"! Then the Sugarcubes, one of the first people they talk to is Beck, who discusses hearing Birthday for the first time.. the video for "Birthday" is shown. Then Bjork moves on to her solo career, looking for new challenges. She collaborates with Graham Massey, on songs she had written since childhood. It shows an adorable clip of her singing "The Anchor Song" accompanying herself on an old pedal organ, in a little church. With gorgeous sights of Iceland. She explains the mood of each album: Debut is like a polite new-comer, and Post is like a wide eyed girl consumed by the city and the city is consuming her. She talks about the story of Isobel, called Isobel, because of the ISO-lation. Elton John says: "A lot of people who aren't that musical, say "oh it's a lot of rubbish, it's noise", but it's not, it's extremely clever. And it's far more sophisticated then most things that are out there, by a hundred thousand times." (Agreed!) According to Bjork, Homogenic is about a person put in an impossible situation, with a lot of pressure. She'd work 16 hours a day, rarely with a day off. Homogenic is like a warrior, not one with weapons, but one with love. Homogenic was like a "blue period" for her. She discusses Joga, like a national anthem with patriotic strings. She collected actual volcanic beats, for the song. RZA dicusses Norse mythology with surprising insight. About how Iceland is filled with such fascinating mythology, about the different deities. And how Bjork is kind of a "warrior princess" :-) Bjork discusses that she thought she was at first an atheist, but then she matured and realized she did have a religion, nature. She discusses her love hate relationship with classical music. Then onto Dancer in The Dark. Just seeing and hearing the clips made me choke up. That movie is so sad. She's not a trained actor, she worked by instinct. And Sean Penn point's out "If someones preserves their instinct from a young age, training becomes an inhibitor" And of course, it discusses the swan dress, and Elton John expresses his wrath about the critisism it got, AGREED! Bjork: "The girl in Dancer in the Dark, was very introverted and kind of heard of all these noises in her head, like a locked universe". And Vespertine is about an internal world, what happens under her skin. Shows the videos for Pagan Poetry Cocoon..and Bjork discusses Icelandic passion. Then the film tells about how she has now left Europe and settled in New York, and shows her working on a computer with her microbeats. And she discusses Matmos. And Matmos talk about their interesting collaboration with her, and shows them on the Vespertine tour. Lastly shows her singing Generous Palmstroke.

该片基于罗尔德·达尔（《查理和巧克力工厂》原著作者）所著同名儿童小说，部分设定在挪威，部分设定在英国，讲述一个7岁小男孩和祖母住在一起，这个世界…

故事发生在17世纪30年代的新英格兰，由于无法苟同教会的做法，虔诚的清教徒威廉（拉尔夫·尹爱森 Ralph Ineson 饰）遭到种植园的驱逐，被迫带着妻子凯瑟琳（凯特·迪基 Kate Dickie 饰）和一众儿女远迁来到一处荒芜所在。他们白手起家，历经艰辛，而尚在襁褓 中的儿子意外失踪则令一家人的心头蒙上挥之不去的阴影。天气恶劣，作物歉收，夫妻二人的关系陷入紧张，凯瑟琳心念下落不明的孩子，精神近于崩溃。在此期间，自感对孩子失踪负有主要责任的长女托马辛（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）心情沉重，此后不久，大弟凯勒布（哈维·斯克林肖 Harvey Scrimshaw 饰）在丛林深处遭遇女巫，心智错乱。 一家人的生活彻底陷入混乱，他们能否在信仰中得到救赎？

一位新近成为孤儿的九岁男孩跟着奶奶来到英格兰，当祖孙俩在一间旅馆过夜时，却不幸碰撞见一场由高阶女巫领导的巫婆集会，听到他们阴谋计划将全英国的小孩变成老鼠！男孩虽然被女巫变成一只老鼠，却还是努力设法要阻止这些巫婆的邪恶计谋得逞。

一部有关宗教巫术的准记录片，世界前50名纪录片第39位。 简介：《女巫们》也叫《历代的巫术》，可以看作是一部有关宗教巫术的准记录片。1919 到1921间丹麦导演创作了这部瑞典与丹麦合拍的超越时代杰作，并在该片中扮演魔鬼一角。这部影片构思新奇、造型技巧高超、画面结构严谨，运用富于表现力的特写镜头和动作感强的蒙太奇均很恰当。但是由于宗教原因，这部电影当时被瑞典和其他欧洲国家列为禁片，直到1929年，经过严格删剪的版本才在美国出现。导演也因为当时Hollywood的纳贤口号而移居美国，但也并未得志，郁郁而终。这部作品的意义不仅在于题材的敏感和手法的前卫，在视觉成就方面，本片无疑更是电影史上的翘楚之一。

一位新近成为孤儿的九岁男孩跟着奶奶来到英格兰，当祖孙俩在一间旅馆过夜时，却不幸碰撞见一场由高阶女巫领导的巫婆集会，听到他们阴谋计划将全英国的小孩变成老鼠！男孩虽然被女巫变成一只老鼠，却还是努力设法要阻止这些巫婆的邪恶计谋得逞。

"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.