纳兰容若（纳兰性德）一生用情极深，对生命中先后出现的三名女性倾尽了所有的爱，最后她们为何却又纷纷离他远去？留给纳兰的只有彻骨之痛。人生若只如初见，何事秋风悲画扇。面对大喜大悲的坎坷经历，纳兰的心就像是一碗黄连熬成的苦汁，苦不堪言，并最终为情所累，生命在三十一岁这年戛然而止，犹如苍穹中划过的流星，短暂而震撼。 节目播出目录： 《百家讲坛》 20120428 纳兰心事有谁知（一）我是人间惆怅客 《百家讲坛》 20120429 纳兰心事有谁知（二）多情自古原多病 《百家讲坛》 20120430 纳兰心事有谁知（三）一生一代一双人 《百家讲坛》 20120501 纳兰心事有谁知（四）当时只道是寻常 《百家讲坛》 20120502 纳兰心事有谁知（五）不是人间富贵花 《百家讲坛》 20120503 纳兰心事有谁知（六）幽怨从前何处诉 《百家讲坛》 20120504 纳兰心事有谁知（七）身世悠悠何足问 《百家讲坛》 20120505 纳兰心事有谁知（八）而今才道当时错

「型子」瑣事人人理，「宅男」心事又有誰知？紀錄片一分為二。上集主角加賀，廿三歲大好青年，卻害怕與人溝通，又怕接觸女兒家，於是長年潛藏家中，與世隔絕，閒時對剪報女星幻想幻想，連面對心儀女孩也羞於表白，失禮失禮。導演決定幫他壯壯膽，逼他參與AV拍攝，要他「痛失」處子身，做個真正男子漢？！下集主角梅澤，人如其名，還要更「宅」，家徒四壁，四壁卻盡是漫畫和明星海報，但原來情根深種，自小暗戀一過氣女明星。導演再作馮婦，迫令梅澤自拍生活點滴，小小「宅男」只望影片首映時偶像能抽空出席，有幸一睹偶像芳容．．．瘋狂「劇情」、爆笑「演繹」。喂喂喂，各位型男索女，你們之前沒有這麼「宅」過嗎？ *2008英國倫敦Raindance電影節參展電影 香港亞洲獨立電影節2008 A young yet acclaimed documentary director best known for his Annyong-Kimchi, Tetsuaki Matsue documents the dim-witted stories of two Otaku (people isolated themselves from society with obsessive interests, particularly anime, manga, and video games) in his latest documentary The Virgin Wildsides. Kaga, Matsue’s friend who is still a cherry boy at the age of 23, is his first “victim”. Having no physical touch with any girls at all in his life and being afraid of confessing to his dream girl, he is persuaded by Matsue to star in a pornographic video in order to relieve him of his virginity and to step into adulthood…… In Volume 2, Kaga the victim turns himself into an “accomplice” entrapping his friend Umezawa into another hilarious documentary of Otaku. A manga lunatic and pop-star follower, Umezawa has built a shrine in his bedroom, walled by nothing but comic books, to a retired celebrity, and was convinced by Matsue to film a film of himself in order to see his obsession face to face in reality. However dealing with a dim and serious topic, The Virgin Wildsides is certainly in a light and enlightening approach, entertaining enough to make you burst into laughter. *Official Selection, Raindance Film Festival 2008 Hong Kong Asia Independent Film Festival 2008 http://www.spopro.net/virgin_wildsides/

剧情：一对情侣因为生活所迫分开，两人的感情也因此产生隔阂，当焦尼瓦调到西西里工作之后，他和女友丽莉亚娜不约而同地回忆起当年第一次相遇到相知的往事，遂而感情复燃，两人的心因为时空的距离而再次紧贴在一起……

Enriched by cinematography as remarkable as the filmmaker's work on Zaynê Akyol's Rojek, this documentary by director Arshia Shakiba situates viewers amid the oil refineries in Syria's war-ravaged north, a landscape that may seem post-apocalyptic but lives in our ever-more alarming present.

Ex-GI Nick Blake gets involved in a scheme to fleece a rich young widow, but finds himself falling for her for real, much to the displeasure of his racketeer cohorts.

穿越重生，沈清棠与沈月姐妹二人命运交错。沈清棠本欲借小伯爷之手掌控侯府，却意外嫁入世子府。沈月心怀怨恨，誓要让姐姐尝尽前世苦楚，却不料沈清棠凭借现代智慧游刃有余。新婚之夜，沈清棠以退为进，巧妙应对婆婆刁难，赢得好感。然而，世子的一句否认，让她陷入尴尬境地。面对侯府众人的轻视，沈清棠运筹帷幄，借丫鬟之口传播谣言，一举扭转局面。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

1941年秋冬，著名演员于堇 （巩俐饰）为了出演她的旧爱谭呐 （赵又廷饰）执导的话剧《礼拜六小说》而回到上海，却引起各方势力对她动向的密切关注，想要打探出她此行的真正目的。一个女人的命运被时代紧紧牵引，戏里戏外敌我难分，暗流涌动下她迎来了一个改变世界的抉择 。

魏潜的妾室许姨娘，在外独占他八年并育有一双儿女。随着魏潜高升回京，她亦随夫归家，却在望族府邸见到端庄的正室魏夫人，被安置于翠柳苑。许姨娘回忆，她曾是良家女，但母亲去世后，父亲与继母为前途逼她嫁给年迈上司。绝望之下，17岁的她毅然选择“爬床”，主动投入赴任途中的魏潜怀抱，只为逃离苦海。魏潜深知她意图，虽有京城妻室，仍带她离开。八年间她独得恩宠，却深知妾室身份，始终在等待后院迎来新的“姐妹”，预示着她不确定的未来。

国家首席院士周秀兰隐姓埋名25年在儿子家当保姆，却被嫌弃花钱，遭法语骂老不死。她断亲回归任科研院院长，收回专利致儿子破产，孙子学术造假被拒。儿子造谣她霸占遗产，她开发布会公开账单，遗嘱和捐赠记录，捐出47项专利。儿媳装病被识破却真患癌，周秀兰以德报怨给她用自己研发的药。儿子悔过，她活出自我。