纽约与巴黎: 兩座熱情和美丽的城市。这兩座城市在其黃金時期经常成為摄影师鏡头下的主角，也在攝影史上留下了极多具象征性的代表照片。本片主角「贝伦妮丝‧阿博特」和「尤金‧阿杰」是兩位伟大的摄影师，他们对摄影史的贡献无人能敌，其作品建立了現代艺术的雏形，也把现实主义引进创意思考的前线应用。 　　本片探索了贝伦妮丝‧阿博特和尤金‧阿杰這兩位攝影师的工作和生活，介绍他們之間的微妙緣份，以及他们的杰作如何成为都会攝影的起源。他們的生活艰难困却都充满热忱。这部影片呈献出他们共同的成就，对他们的攝影作品表达敬意，并近距离观察这两座曾激发他们灵感的城市－「纽约与巴黎」。 　　透過許多的访谈，包括阿博特的传记作家汉克‧欧奈尔、伦敦维多利亚和亚伯特博物館攝影館館员马克‧哈沃斯布斯、法国国家图书馆(BNF)馆员纪尧姆‧勒高尔，慢慢勾勒出这两位伟大攝影師的人生故事与作品意涵。另外，影片中可以看到两位攝影師丰富的作品，以及巴黎和紐約城市旧貌的影片，其中包括一段非常罕見、从帝国大廈頂长时间拍攝的影片，帝国大廈的拍攝許可得來不易，由此可见贝伦妮丝‧阿博特在紐約的崇高地位。

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one's life - when you have to find a career; you have your first significant relationship and most importantly form your identity in this world. 　　 　　 　　 　　This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a punjabi, rich kid from Bandra (a posh western suburb of Mumbai - read new money) who is going to study Film Making in London on 100% dad's money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. 　　 　　 　　 　　The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter will be shot in a manner that mirrors the mental state of Nikhil and Lalitha.. The three bridges on the three rivers - Thames, Seine and Hudson witness the three states of love. 　　 　　 　　 　　Music is integral to the film and takes form according to the moods. The three cities also give a dramatic canvas to create different exciting themes. Pop -Romance in London. Electronic Sufi in Paris. Blues-rap in New York. Blended in with Indian true bollywood style.The dialogues are natural and fresh and you get a sense that you are eavesdropping on these two characters. The film is romantic but not sentimental in the least. Even though there are discussing a lot of meaningful stuff, the film is always underpinned by humour.

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one's life - when you have to find a career; you have your first significant relationship and most importantly form your identity in this world. 　　 　　 　　 　　This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a punjabi, rich kid from Bandra (a posh western suburb of Mumbai - read new money) who is going to study Film Making in London on 100% dad's money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. 　　 　　 　　 　　The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter will be shot in a manner that mirrors the mental state of Nikhil and Lalitha.. The three bridges on the three rivers - Thames, Seine and Hudson witness the three states of love. 　　 　　 　　 　　Music is integral to the film and takes form according to the moods. The three cities also give a dramatic canvas to create different exciting themes. Pop -Romance in London. Electronic Sufi in Paris. Blues-rap in New York. Blended in with Indian true bollywood style.The dialogues are natural and fresh and you get a sense that you are eavesdropping on these two characters. The film is romantic but not sentimental in the least. Even though there are discussing a lot of meaningful stuff, the film is always underpinned by humour.

个性害羞的巴黎单身汉，发现一首20 年代的古老神曲，歌谱有着神奇的魔力，若两人同时聆听歌谱旋律，便可坠入爱河。他偶遇一见钟情的女子，不惜一切代价，甚至为了找歌原主曲的歌谱，一路追到纽约。

个性害羞的巴黎单身汉，发现一首20 年代的古老神曲，歌谱有着神奇的魔力，若两人同时聆听歌谱旋律，便可坠入爱河。他偶遇一见钟情的女子，不惜一切代价，甚至为了找歌原主曲的歌谱，一路追到纽约。

惯偷阿杰手段高超，他用一根卡子就轻易搞定一辆红色家用车的防线，随后驾驶汽车夺路而行，并且联系好了销赃的适宜。当他正自鸣得意的时候，突然发现后座有一个男孩，那是车主的儿子豆豆，此前一直躺在后面睡觉。阿杰自感晦气，他停下车将男孩叫下来，并留在路边。豆豆吓得哇哇大哭，阿杰没办法又把男孩带了上来。不久后阿杰和销赃的梁哥见面，经过一番软磨硬泡，阿杰两万块钱把车卖掉，而孩子则跟着他走。该如何处理这个小孩呢？一不留神就会把自己送到牢里，可是良知尚存的他又不能做下伤天害理的事情…… 　　本片根据刘凯的原作《公路之歌》改编。

惯偷阿杰手段高超，他用一根卡子就轻易搞定一辆红色家用车的防线，随后驾驶汽车夺路而行，并且联系好了销赃的适宜。当他正自鸣得意的时候，突然发现后座有一个男孩，那是车主的儿子豆豆，此前一直躺在后面睡觉。阿杰自感晦气，他停下车将男孩叫下来，并留在路边。豆豆吓得哇哇大哭，阿杰没办法又把男孩带了上来。不久后阿杰和销赃的梁哥见面，经过一番软磨硬泡，阿杰两万块钱把车卖掉，而孩子则跟着他走。该如何处理这个小孩呢？一不留神就会把自己送到牢里，可是良知尚存的他又不能做下伤天害理的事情…… 　　本片根据刘凯的原作《公路之歌》改编。

一个具有冒险精神的女人想要跟自己的丈夫到森林里野营来联络感情，他们要去的森林里有不明生物杀死了几个猎人，这些不明生物阻止这对夫妇出他们的帐篷，他们必须知道真正的威胁在他们的帐篷里面还是外面。。

一个具有冒险精神的女人想要跟自己的丈夫到森林里野营来联络感情，他们要去的森林里有不明生物杀死了几个猎人，这些不明生物阻止这对夫妇出他们的帐篷，他们必须知道真正的威胁在他们的帐篷里面还是外面。。

一位喜欢冒充丈夫秘密的冒险女子坚持要求这对夫妇去露营重新联系。 树林里的东西摧毁了附近的一群猎人，阻止了这对夫妇离开他们的帐篷。 秘密和超自然的故事被曝光，他们必须确定真正的威胁是在其内部还是外部。