一群女演员在表演莎士比亚的《第十二夜》时陷入网络浪漫的阴谋和启示。

一群女演员在表演莎士比亚的《第十二夜》时陷入网络浪漫的阴谋和启示。

Bill Viola has been exploring video art since its beginnings in the 1970's, and is increasingly recognised as one of the most important visual artists working today. His work includes single-channel pieces as well as large scale sound and image installations. 　　"Bill Viola : The Eye of the Heart", initially broadcasted in 1996, is the first portrait to have been made of this crucial artist. The film features Viola at work, extracts from some of his major works, and in-depth interviews with Viola himself. 　　In the film Viola talks passionately about his life and the events and artistic influences that have driven his work: from his childhood memory of near-drowning, to the artistic exploration and political activism of his youth, and on to the death of his mother. The film explores as well the connection between Viola's work and the mystical traditions of East and West.

Viola提着行李箱，把孤独放在里头，自七岁就离开了生长的世界，展开一段奇异的旅程。她在旅途中遇到不同的人事物，也都给予她不同的启发，也因此她学会了跟自己的未来与过去相处，找到真正的快乐。奇幻的影像与叙事，仿佛经历一场爱丽丝梦游仙境。

Viola提着行李箱，把孤独放在里头，自七岁就离开了生长的世界，展开一段奇异的旅程。她在旅途中遇到不同的人事物，也都给予她不同的启发，也因此她学会了跟自己的未来与过去相处，找到真正的快乐。奇幻的影像与叙事，仿佛经历一场爱丽丝梦游仙境。

A powerful, moving film about the world's greatest video artist Bill Viola and his wife and collaborator as they embark on a twelve year odyssey to create and install two permanent video installations, Mary and Martyrs into St Paul's Cathedral, London.

Olla responded to an advertisement on an eastern women dating site. She moves in with Pierre, who lives with his old mother. But nothing happens as planned.

Olla responded to an advertisement on an eastern women dating site. She moves in with Pierre, who lives with his old mother. But nothing happens as planned.

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer