兰静多次重生，陷入全家因财产分配惨死的循环，起初误以为是女儿江楠楠不满家产分配，后逐渐发现真相：丈夫江建伟为夺家产，联合养子江逸远，下药、误导江楠楠以为自己是养女，试图逼疯她并谋害母女。兰静察觉后设局，报警固定证据，最终将江建伟、江逸远及江建伟情妇林秀秀送进监狱。一年后，兰静与走出阴影的江楠楠开启新生，恶人也得到了应有的惩罚。

沙漠被一台机器拟人化，它被重新唤醒来保卫被压迫的人民

我一直以来都将父亲封闭在我的世界之外，想通过摄影机打破我们之间的缝隙。透过摄影机，我第一次清晰地看到了我和父亲这么多年的相处。虽然通过这次的拍摄我仍然还没有学会和父亲对话，但至少摄影机让我看到了我自己，我知道了下一步我要往哪走。

荒寂的公路上，一对青年男女绑缚着彼此，骑着一辆摩托奔向远方。他们看起来是如此登对，但却有着禁忌的关系和黑暗的过去。男孩秀则（小谷健仁 饰）亲手杀害了母亲雪子，带着这个患有自闭症的美丽叔母平井妙子（不二子 饰）绝路逃亡。他们逃到了妙子的母亲，也就是秀则母亲（吉村実子 饰）的住处，然而这禁忌的关系如何会得到认同。次日，秀则和妙子再次上路，行至远离都市的丛林中。在这个靠近人类本源的地方，他们释放了所有的原欲，尽情享受肉体的欢愉，却也将彼此引向绝望的不归路…… 本片采用16毫米摄像机拍摄，全片同期录音，并且舍弃配乐。

裴柳的平静生活被诡异遭遇打破，莫名怀孕的背后，是黑暗中挥之不去的纠缠与隐秘算计。从公交上捡到的奇特纸币，到身边接连发生的反常事件，层层迷雾包裹着真相。她没有沉沦退缩，在警方协助下步步探寻，竟发现亲近之人也暗藏私心。面对未知的恐惧与背叛，裴柳始终坚守本心、勇敢抗争，最终揭穿所有阴谋、挣脱困境。

To activate English subtitles for the film, click on the CC button in the playbar of the player *** As it’s Halloween season, this week we’re presenting a clever video essay on the power of sound in movies to scare us and haunt our memory. The video draws its argument from a text by the legendary French critic Serge Daney on Georges Franju’s horror classic Eyes Without a Face — in which Daney talks about a peculiar noise that prevented him from rewatching the film for decades. Serge Daney is one of the most important figures of French film criticism, though very little of his work has been translated into English, to the regret of many cinephiles. He worked as a critic for Cahiers du cinéma starting in 1964, and as its editor from 1973 to 1981, before leaving for the daily newspaper Libération. He died in 1992. Georges Franju’s Eyes Without a Face caused controversy and received mixed reviews upon its release in 1960, but is now considered a classic and masterpiece for its poetic nature, an influence on many filmmakers. Through penetrating associations of text, clips, and sounds, all popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné resurrects the dialogue between these two figures, conducting an investigation into the noise that terrified Daney, as well as others that have scared her. Galibert-Laîné clears the path of her research and succeeds at chilling the viewer in turn. As the filmmaker states on her website, “The Eye Was In the Tomb and Stared at Daney explores questions such as: Does anticipating an emotion make it weaker or stronger? How do music and sound effects register in our memories, when our attention is mainly focused on images?” Galibert-Laîné directed The Eye Was In the Tomb and Stared at Daney in the context of a long-term research project entitled ‘A Portrait of the Spectator As a Cannibal’, that studies our memories of films, and how viewers appropriate and reinvent the films they have seen, incorporating them into their own personal experience. Chloé Galibert-Laîné is a researcher and filmmaker based in Paris, whose work is focused on the relationship between cinema and online media and is presented in both academic and artistic contexts. She is currently preparing a PhD at the prestigious École normale supérieure de Paris and teaches film studies at Université Paris 8. Her work has been shown at the Ars Electronica Festival, the London Essay Film Festival, the Rotterdam International Film Festival, IMPAKT Festival, and the Austrian Film Museum. In 2018, she was Artist in Residence at m-cult (Helsinki) through the European Media Art Platform (EMAP) and an Art of Nonfiction Grantee from the Sundance Institute.

这部纪录片通过记录武汉的32岁盲医按摩师小谭的部分人生经历、日常生活和工作状态，突出了他坚强、独立且有趣的性格特点，并展现了一个当今社会中盲人按摩师群体的缩影。

カタツムリは交尾の際「恋矢(れんし)」と呼ばれる生殖器官を互いに突き刺しあうという。男でも女でもない雌雄同体の心を持てあましながらカタツムリのように絡みあう４人の若者を抒情的に描く。新進脚本家・荒井美早のオリジナル脚本を齋藤久志が映画化。

消失十二年的林晓回家，质问哥哥林深卖老宅，索要母亲遗物遭拒。争执中，她发现林深藏抗癌药，戴母亲戒指。妹妹苏晴透露，林深患肺癌十二年，隐瞒是怕影响她。林深坦言卖老宅是想让她恨自己，以便坚强活下去。林晓发现儿时纸条与彩虹窗草图，得知哥哥曾追她的大巴三公里。林深病危，遗嘱赠其所有，还备了生日惊喜。林深离世后，林晓收到他留的手串，决心带着爱活下去。

在线地址：http://site.douban.com/widget/videos/45503/video/46940/ Annai是一个只有一只眼睛的小家伙，他走遍各地，只为寻找另一只眼睛。他找到了了一个树，树上的果实就像眼睛一样，但是猴子们把果实吃掉了；他找到孔雀的翎毛，翎毛就像眼睛一样，但是孔雀仆仆飞走了；他找到快乐演奏的乐队，乐器的孔就像眼睛一样，但是乐手把他赶走了；他找到潜水艇， 潜望镜上的眼就像眼睛一样，但是他被摔落水中；他来到了海底，章鱼的触手就像眼睛一样，但是章鱼生气地跑掉了。 Annai走遍天上地下，何时能够找到另一只眼睛？