着名影星罗宾·威廉斯的记录片 罗宾·威廉姆斯出生于美国芝加哥，父亲是一位正经严肃的事业经理。罗宾的喜剧因素和幽默感全来自于他的母亲。他母亲经常讲些滑稽的笑话令小罗宾开怀大笑，这成为母子二人交流感情的一种方式。罗宾非常爱玩玩具，卡通是他最珍爱的物品，即使长大成人，他似乎也保留了儿童少年的一份快乐纯真的天性。作一个演员完全是他突然的决定，罗宾本来在克拉雷蒙特大学学习政治经济，但选修的即兴表演艺术很快令他入迷，加上他天才的喜剧才能，他在大学的表演往往令同学们笑声不断。罗宾觉得这是一件带给人们快乐的事业，他下决心去作一名喜剧演员。1973年他来到纽约，在久丽德表演艺术学校学习，毕业后他一边工作一边找机会进入演艺界。电视系列片《莫克和明迪》使他展露头角。此后他才步入影坛，出演了《大力水手》和《盖普眼中的世界》，大受欢迎，他的幽默仿佛随手可拾，而他的精湛演技又令银幕形象丰满生动。

A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.

Once upon a time in the USA, Broadway and Business had a baby: the Corporate Musical. This is the story of one of Capitalism's strangest creations and the comedy writer obsessed with rescuing this hidden world from obscurity. With David Letterman, Martin Short, Susan Stroman, Jello Biafra and more.

The Best of Broadway is a 60-minute television anthology series telecast live on CBS from 1954 to 1955 for a total of 9 episodes.

阿黛尔夫人，曾经是巴黎剧院的巨星，但却陷入了困境。但她允许一位年轻的美国表演者玛丽·杜瓦尔 （Marie Duval） 扮演昔日的阿黛尔夫人，两人都成为巴黎的宠儿，一个再次，一个新加冕。

New York City physician, Dr. Timothy Kane, knows Broadway, the Great White Way and all of its characters thoroughly, as does his receptionist, Connie Madigan. A man Kane had sent to prison is now dying, and asks Kane to locate a daughter and give her his fortune. However, others think they have a claim on it, and are out to ensure their claim, usually by foul means.

在现代雅典，有四个年轻的街头艺人和扒手组成的团体，他们在废弃的娱乐综合体“百老汇柱廊”中找到了意想不到的避难所。当一名前团队成员出狱后，这个临时家庭的平衡将被打破。

“The Americans invented jazz to make up for death, the star to recover from women. To comfort themselves faced with the night, they invented Broadway. Every evening in downtown New York, an artificial day begins. Its purpose is to advertise the shows, vaunt the products, and the inventors of these adverts would be quite astonished to discover that the most fascinating spectacle, the most precious object, is the street transfigured by their signage. This day has its own inhabitants, its shadows, its mirages, its ceremonies. It also has its own sun…” (Chris Marker) “The first film I’ve seen in which colour is absolutely necessary.” (Orson Welles)