讲述了两个年轻女子的悲剧故事。她们一个是贵族小姐，一个是家庭女仆。命运迫使她们生活在一起，在逐渐了解对方的过程中，她们之间产生了一种超乎友谊的感情。在与对方的接触中，她们了解了自己：对爱的渴望与包容，自身的弱点和牺牲的勇气。她们意识到由于社会的桎梏，她们不得不承受来自外界的压力。然而，为了保护自己，两人团结起来，不惜进行极端的反抗。尽管此片以18世纪为时代背景，但仍具有现代意义。因为它反映的是永恒的主题和原始的情感。

巴西美女Lilian Lemmertz主演的情感剧。

本片基于弗洛伦西亚埃切夫斯的小说《科妮莉亚》改编，讲述一位来自布宜诺斯艾利斯的名校老师和五名学生进行了一次学习旅行，其中一个叫科妮莉亚·维拉尔巴的学生神秘失踪，据说，她和同伴们相约一起去跳舞，结果在巴塔哥尼亚森林中走失....

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

Thierry De Mey filmed Rosas danst Rosas in the former technical school of architect Henry Van de Velde in Leuven. The film version is much shorter than the show itself. In his film Thierry De Mey opts for a heavily ‘inter-cut’ version in which, apart from the cast of four dancers from 1995 and 1996, he also has all the other performers from the long history of the show dance along. He makes maximum use of the geometrical and spatial qualities of the Van de Veldes building. Incidentally, the building was thoroughly renovated straight after the film was made, making it one of the last testimonials to the original architecture. The film was shown on all of the major European television channels and also had a cinema career in the ‘art house circuit’.

小女儿玛娅的突然去世，给罗莎和伊戈尔带来了无法弥合的痛苦，在他们之间树起了一道无法逾越的墙，其历经风雨的婚姻似乎走到了尽头。他们决定分开，但在另一个女儿面前却还是装作关系很好的样子。家里时常弥漫着一种沉重而幽闭的氛围。有一天，罗莎发现玛娅之前竟和好友莉娜一起够买情趣用品，她突然发现自己根本不了解女儿的生活，她开始接近莉娜。莉娜是个外向的美发师，每周会组织专门针对女性的聚会，目的是让她们重新发现自己的身体需求与欲望。一开始，罗莎并不情愿加入，但逐渐地，她放松下来，并享受来自这些新朋友的陪伴。仿佛是受到女儿的过去的引导一般，她开始向生活敞开心扉，重新找回自我，再次体会爱与被爱的美好。

Léa 在勒阿弗尔生活，她在上大学的同时还要照顾她年迈的祖母。 为了维持生计，她在一家夜店做女招待。她的导师给了她在巴黎政治研究所的学习机会，但花费很高。Léa 当了脱衣舞娘，她白天学习，晚上的工作就成了经济自由主义的实践……

这部影片是2011戛纳电影节独立电影推广协会ACID大奖获奖作品，还曾参展芝加哥电影节及瑞典哥德堡电影节。莱娅（安娜·阿祖莱饰）的父亲（帕特里克·博内尔饰）有了新伴侣（娜塔莉·特拉福尔饰），并和对方生下一个女儿（伊内丝·特拉福尔饰）后，照料患有老年痴呆症的奶奶（吉内特·加尔桑饰）的重任便落在了莱娅肩上。莱娅是夜总会的兼职调酒师，她怀揣着去巴黎著名政治学院进修的梦想。为了实现这个梦想，她得把奶奶安置到勒阿弗尔的养老院。为支付奶奶住体面房间的费用和自己的学费，莱娅在勒阿弗尔与巴黎两地间疲于奔命，无奈之下，她只能在晚上靠跳舞来挣钱。