Norman这个犹太人对巴勒斯坦人的同情，站出来替弱小的巴勒斯坦出头，戳穿犹太组织和以色列的谎言等。 他在美国被犹太势力排挤，被学校变相开除后，他的DePaul University学生和大学同事们组织起的“学术自由”抗议的，他本人还是放弃了自己喜欢的教学，后来到处去演讲的。

生活被冠状病毒搅得天翻地覆之际，两名警探锲而不舍地追捕一起绑架事件的幕后黑手，因为他们发现此事涉及更大的险恶阴谋。

生活被冠状病毒搅得天翻地覆之际，两名警探锲而不舍地追捕一起绑架事件的幕后黑手，因为他们发现此事涉及更大的险恶阴谋。

'Boris Babaev, an Orthodox Jew from Tajikistan, meets a secular Jewish Mexican-American filmmaker in Poland. This documentary is the result, a lyrical and contemplative piece, which captures Boris's struggle to find his place in the world. When Boris encounters young Poles who are discovering their Jewish roots, he decides to prepare them a Kosher Tajikian dish, which means putting his skills as a Shochet or ritual slaughterer to the test. But before he can do so, he has to find a sheep...' Written by Anonymous

THE AMERICAN MEME follows the journeys of four shocking social media disruptors, Paris Hilton (@parishilton), Josh Ostrovsky (@thefatjewish), Brittany Furlan (@brittanyfurlan) and Kirill Bichutsky (@slutwhisperer), as they hustle to create empires out of their online footprints. Although their paths to influencer status are distinct, their respective followings are akin to small armies.

俄罗斯总统弗拉基米尔·普京称，苏联解体是二十世纪最大的政治灾难。持有这个观点的不止有他一个人。许多俄罗斯人渴望苏联及其属地的稳定。他们希望俄罗斯在世界舞台上再起风云。2014年2月克里米亚独立也提高了普京在本国的支持率。 　　但俄罗斯的胜利，给邻国带来了恐惧。这些国家往往被俄罗斯或苏联长久统治，或者像乌克兰那样有大量俄语族群。自罗马时代以来，它们就处于欧洲和俄罗斯的边界地带，并且被双方多次蹂躏。这些国家将面临一个挑战：投靠欧洲而不惹怒俄罗斯。在节目中你将看到这是否会成为可能。 　　俄罗斯吞并克里米亚是柏林墙倒塌后欧洲最重要的地缘政治事件。问题是这将带来什么后果。我们要走向新的冷战吗？还是俄罗斯将向西方开战呢？强大的俄罗斯和其他前苏联国家的关系如何？俄罗斯是不是真的是一个如此激进的国家，普京是否通过金钱和有时甚至通过武器控制了前苏联国家的亲俄组织呢？他们如何看待周边国家最近的事态发展？我们如何看待在他们国家的俄罗斯少数族群？俄罗斯人和他们的邻居在对方眼中都是什么样的形象？ 　　Jelle Brandt Corstius揭示了这些问题的真相，并且在八集纪录片中深入了解了这些夹在欧洲与俄罗斯边界之间的国家的现状。在这趟从波罗的海到黑海，向东涉足哈萨克斯坦草原的旅程中，Jelle向居民们了解了他们所看到的真相与现实。

故事根据真实事件改编，讲述二战期间，米尔德里德·吉拉尔(梅多·威廉姆斯饰)无意间成为了针对美国军队的德国宣传人员。“轴心莎莉”为米尔德里德·吉拉尔的昵称。1949年，在战后柏林被捕后，她被美国定罪为叛国罪，阿尔·帕西诺饰演轴心莎莉的律师，为其辩护。

故事根据真实事件改编，讲述二战期间，米尔德里德·吉拉尔(梅多·威廉姆斯饰)无意间成为了针对美国军队的德国宣传人员。“轴心莎莉”为米尔德里德·吉拉尔的昵称。1949年，在战后柏林被捕后，她被美国定罪为叛国罪，阿尔·帕西诺饰演轴心莎莉的律师，为其辩护。

In 1998, seven years after the independence of the country, autocratic president Kazakh Noursoultan Nazarbaiev decides to move the capital of Almaty to Astana, the barren plains of the north. Vertiginous towers of glass rise above ground, financed by oil exports. A presidential speech in 1997 on the future of Kazakhstan opens the film, praising the “three social levels, the rich, the middle class and the poor”, and the infinite promises of the market. 　　Christian Barani and Guillaume Reynard see the birth of a new social level, in the standardized tinsel and foil of richness. Attempting to represent “the fiction which in each scene seems to have preceded reality”, until a change of scene by writer Darejan Omirbaev, they also venture backstage, a hut on a site of a recently expropriated maisonnette. A portrait of a melancholic person and poetic globalization through the ex-Soviet oligarchy, in full expansion.

Evi and Vanessa, two 14-year-olds living in Bucks County, Pennsylvania, are best friends despite their opposing political beliefs. As nationwide disputes over public education explode into vitriol and division in their hometown, the girls and others in the community fight to discover the humanity in “the other side.” 　　Remarkably important on a national level, Bucks is a swing county within a swing state that boasts a mix of suburbia, rural farmland, and industrial working-class folks. While division has always existed, a global pandemic expanded the nationwide culture war to a new frontier, landing in tight-knit communities and schools. As starkly opposing factions vie for control of the school boards and the policies they create, all in the name of protecting their children, the future generation is watching, listening, and absorbing it all. Through the youthful lens of Evi and Vanessa, can we learn that it’s possible to coexist and love one another despite our differing political views?