Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly, self-enlightenment. Prepared only with three white candles and some crude instruments, Daniel attempts to beckon the embrace of the Goddess Ishtar (Flora Giannattasio) to assist him on his self-illumination. Beginning with a blade, Daniel digs into the palm of his hand, as deep crimson flows into the bathtub. Lapping up the blood from his fresh gash he sexually caresses the wound with his tongue (ala cunnilingus), thus commencing his voyage.

受父亲离世及其他心理创伤的困扰，丹尼尔（罗伯托·斯科尔扎）回到了他成长的家。面对深深的情感创伤，以及身体上的伤痕——多年的自我伤害在他身上留下了一道道割痕——他走进浴室，开启了一段自我探索、自我伤害的旅程，而且很可能……

As the unsuspecting young women, Erika and Amy, get in their car, a sadistic predator in black equipped with a gas-mask knocks them out and abducts them. From this point on, an endless nightmare of unspeakable torment awaits the helpless victims--who are drugged and chained down by their throats to wooden tables--through a wide assortment of sharp instruments and common household tools. Always starting from left to right, the butchering begins, as a savage trio of desensitized executioners film the abominable act of sacrifice with their Super-8 camera. Is death the only means of salvation?

Trapped in the padded white room of an abandoned asylum, a helpless man awakens, only to find himself chained down to a medical chair. There, a demented surgeon and his equally deranged assistant embark on a seemingly endless series of chirurgical tortures, unlocking new levels of pain and suffering, one excruciating procedure after another. Intent on harvesting the captive's endorphin-infused blood, the maniacal doctor mutilates the feeble flesh and breaks the naked bones, until the phial is filled with the life-giving substance. However, in this hellish purgatory of anguish and torment, the man finds the strength to cling to hope, as he keeps finding hand-written notes in his grim cell. Could there be another tormented patient in this nightmarish facility? Is there an escape from the never-ending agony?

天主教会狱兆踏正试图汗格应拯救一胶腊担个纸洪无辜的灵魂，使拒迁朵之恋享敬欢免遭撒旦的蹂躏。一浪接一浪的圣人被派去对抗宙组骗祖被附体 。

A working-class boy gets a scholarship to a public school.

十八岁少女林有有孝顺善良，与奶奶相依为命。家中老宅即将迎来拆迁，巨额补偿款引来了堂哥林大强、堂嫂李招娣的贪婪觊觎。蓄意毒杀她，企图在她死后逼迫神志不清的奶奶签下房屋转让协议，霸占房产与拆迁款。林有有含恨而亡，临终前录下了二人的罪行。再次醒来，林有有震惊地发现自己重生为一只豚鼠，意外绑定震惊进化系统。林有有决心守护亲人、夺回房本，让恶人付出代价。

这部美版重启系列的第四部作品，呈现了变态宗教仪式的血腥暴力行径，那些极端血腥和折磨人的场景令人作呕且倍感震撼。

自从1999年夏天这群死党失去了处子之身后，13年后的这个周末假期他们即将团聚，大伙莫不期待这天到来，老友同学会上每个人都变得更成熟了，只有友情从不打折……

位于苏格兰一个远离尘嚣的偏远所在，一家修道院内，名为迈克尔·卡罗尔的神父意外身亡，其死因始终未能判定。在此之后，警方通知了卡罗尔神父自幼相依为命的姐姐格蕾丝（吉娜·马隆 Jena Malone 饰）。由于童年的遭遇，格蕾丝始终独自生活，并且对宗教带着些许抵触，但这并不妨碍姐弟二人的情深意笃。得知弟弟死讯，悲伤的格蕾丝迅速赶往这家修道院，而当看到弟弟的尸体后，她对迈克尔的死因更多了几分狐疑和猜测。与之相对，修道院院长针对卡罗尔神父的事件不仅轻描淡写，似乎还在隐藏着什么。 从小有着特殊体质的格蕾丝，在这个诡异的地方，看到了某些诡异的东西……