玛丽亚·特里福诺娃是一位真正的“老派”数学老师，也是最后一届“苏联年度教师”。在她的课堂上，孩子们不仅不敢拿出手机，甚至在没有允许的情况下都不敢喘气。出乎意料的是，她来到了一所精英学校——一切都是为了有机会修复与唯一外孙女的关系，由于与女儿的矛盾，她已经多年未见外孙女。玛丽亚面临着一种不寻常的教学方式：这里到处都是崇尚自由、技术和被宠坏的富家子弟。现在，她必须向现代一代人灌输对数学的热爱，并与最亲近的人找到共同语言。

玛丽亚·特里福诺娃是位地道的“老派”数学老师，还是最后一届“苏联年度教师”。在她的课堂上，孩子们连手机都不敢拿出来，没得到允许甚至大气都不敢出。出人意料的是，她来到了一所精英学校，而这一切都是为了能有机会修复和唯一外孙女的关系，因为和女儿有矛盾，她已经多年没见过外孙女了。玛丽亚面临着一种不同寻常的教学环境：这里全是崇尚自由、追逐技术且被宠坏的富家子弟。如今，她既要让现代这代人爱上数学，又要和最亲近的人找到共同话题。

玛丽亚·特里福诺娃是位地道的“老派”数学老师，还是最后一届“苏联年度教师”。在她的课堂上，孩子们连手机都不敢拿出来，没得到允许甚至大气都不敢出。出人意料的是，她来到了一所精英学校，而这一切都是为了能有机会修复和唯一外孙女的关系，因为和女儿有矛盾，她已经多年没见过外孙女了。玛丽亚面临着一种不同寻常的教学环境：这里全是崇尚自由、追逐技术且被宠坏的富家子弟。如今，她既要让现代这代人爱上数学，又要和最亲近的人找到共同话题。

捉襟见肘的安东在一家高档宠物店找了份工作，从医治乡村农场动物的医生变成了兜售高级宠物狗零食的店员。

捉襟见肘的安东在一家高档宠物店找了份工作，从医治乡村农场动物的医生变成了兜售高级宠物狗零食的店员。

该片讲述绝对遵守原则的化妆品公司社长和高效率的顶级导购员白天吵的死去活来，晚上为了对方互相哭泣的轻拍抚摸浪漫爱情喜剧故事。

该片讲述绝对遵守原则的化妆品公司社长和高效率的顶级导购员白天吵的死去活来，晚上为了对方互相哭泣的轻拍抚摸浪漫爱情喜剧故事。

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Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。