《陆判》新科举人陶岳明春风得意，在寻找生母途中得到了大家闺秀朱绮婷的帮助，并与冥府的陆判相逢，由此上演了灵魂对调和情仇爱恨的戏码；《乾坤》某县城接连发生离奇案件，捕头忻方平探查得知竟与魔域有关，更知晓了天魔大人的险恶阴谋；《恒娘》农家出身的恒娘未得到当县令的丈夫欢心，在怪婆婆的帮助下精心打扮，谁知性格也随之大变；《连锁》胆大的杨于畏买下一栋鬼宅，不过他却弄清了闹鬼的原因；《叶生》猫妖化身美女，潜入皇宫，图谋加害皇族血脉；《绿衣女》某猎户救下了一只螳螂精，对方化作民女嫁给他，却由此惹上了麻烦。此外，《夜叉国》与《花姑子》的股市同样精彩！ 本片根据清代小说家蒲松龄的经典名作《聊斋志异》改编。

该剧取材自蒲松龄的短篇小说集《聊斋志异》，由六个独立成篇的单元组成，《陆判》中陶岳明爱逾生死举行冥婚，《乾坤》中谢灵儿携手忻方平冲破魔域，《恒娘》中被妖蛊惑的恒娘因爱成恨，《连锁》中女鬼连锁为爱香消玉殒，《叶生》中猫妖皇后冒天下大不韪保爱人血脉，《绿衣女》中于璟爱上美艳螳螂绿珠。

秀才王文在外出途中结识了青楼女子鸦头，两人情投意合，王文意外发现鸨母狐妖的身份，幸得鸦头相助，得以逃跑。之后，鸦头被鸨母掳走虐待，王文悲痛万分。多年后，王文携子王孜救出了鸦头，击败鸨母，一家人团聚。

北宋年间，寺庙老和尚止善收养了一个弃婴，婴儿的肚子上留有疤痕“东昌王文之子”，止善发现婴儿是个半人半狐，毅然决定将其收养并教导他一心向善。他给婴儿取名王孜，每日教王孜念经打坐。

11月20日，聊斋系列院线电影“聊斋新编四部曲”（《聊斋新编之画皮人》《聊斋新编之婴宁》《聊斋新编之辛十四娘》《聊斋新编之鸦头》）在象山影视城开机。电影由尹波执导，无限精彩（无锡）影业公司，安徽泽深影业，杭州宝行文化出品

南唐寒阳公主死后，化身骷髅女妖，借江南第一美女西门燕皮囊，幻化为妙龄女郞，魅惑人间男子。书生王子玉偶遇化身西门燕的骷髅女妖，一见倾心，共结…

影片讲述书生王子服对女子婴宁一见钟情，巧合下寻得婴宁住处，两人结为夫妻。王母对婴宁心存忌惮，在得知其乃狐妖后，拆散两人，子服患上重疾，婴宁伤心之余意外得知自己身世，打败了石妖，治好了子服，一家人重归于好。

Film ist. consists almost entirely of excerpts from various scientific films. This footage shows the flight of pigeons, intelligence test performed on apes, upside-down worlds and stereoscopic vision, hurricanes and effect of shock waves. How glass breaks, how small children walk and a Mercedes crashing into a brick wall in slow motion.

该剧选取了《聊斋志异》其中9篇故事进行改编拍摄，包括《官运亨通》、《妖女画皮》、《蝴蝶美女》、《阴差阳错》、《洗心革面》、《两个女鬼》、《双遇丽狐》、《抱打人间不平》、《一笑三百年》。

夫妻档设计师Charles (1907-1978) 及 Ray Eames (1912-1988)是20世纪最有影响力的设计师，是建筑、家具和工业设计等现代设计领域的先锋设计师。 卓越的设计涵盖了家具、建筑、影像与平面设计。他们从二次世界大战中美国海军的实验计画中学习经验并发展可谓是现今工业中使用模铸胶合版的先锋，这对设计界的超级夫妇档自1940年参与了由MOMA举办的有机家具设计大赛，自今已有近百件他们的作品被各大博物馆所永久典藏。 The husband and wife team of Charles and Ray Eames were among the finest and most influential American designers of the 20th Century. They are best known for their groundbreaking contributions to architecture, furniture design (the Eames Chair), industrial design and manufacturing, and the photographic arts. In the early 1950s, the Eameses extended their interest and skill in photography into filmmaking. Between 1950 and 1982 they created over one hundred short films, ranging from 1-30 minutes in length, that reflect the breadth and depth of their interests and the integrity of their vision. They also created slide shows and multiscreen presentations. The subjects of the films are diverse: from spinning tops to the world of Franklin and Jefferson, from simple sea creatures to the explanation of advanced mathematical and scientific concepts; such as the workings of the computer. Toccata for Toy Trains and Powers of Ten are two brilliant examples of the Eames' skill, creativity and far-reaching interests. The scores for both those films, and some thirty others, were written by their friend and collaborator, Elmer Bernstein. Their work is playful, complex and insightful. The films all share a flavour of using the found object or showing some everyday aspect of life in a new way - what Charles referred to as "The uncommon beauty of common things". Animation and macro-photography are often used, to great effect. From a film about washing an asphalt playground to a wondrous montage of toy trains, they often convey the excitement of the old compared to the new and also the sheer elegance born of an innate understanding of design and its power to communicate.