肖邦的《G小调第一叙事曲》总长仅九分钟，诞生至今已有近二百年，却依然有着特殊的魅力，不但在视频网站上创下数百万的点击率，更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香，在各自经历了人生的不幸之后，因肖邦的叙事曲而重新振作，勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场，详细剖析这首不同寻常的钢琴曲，为我们揭开音符中的奥妙。 This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways. Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface. For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory. Paul told us some more about his involvement in the programme: "I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!" The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.

影片讲述了一直活在童话世界里的小百合，因为暗恋的男神苏照彬跟另一个姑娘求婚，使小百合的童话世界开始动摇。闺蜜王子拉着小百合去夜店摆脱失恋阴影，并寻找新的恋情，在那里小百合相遇了歌手龟田，两人一见钟情，但是爱情理念的不同让小百合错失爱情，在得失之间，两人能够和好如初嘛？

《拯救人类》先导概念片是由兰波导演执导的一部废土公路风格的科幻喜剧，讲述了在末日之后人类文明退化到原始状态，一个机器人被一个中二原始人类激活，从而要带领人类重返文明之地。蛮荒懵懂的原始人与未来科技打造的冷峻机器人之间存在了极大的风格反差，也碰撞出了很多笑料。

真千金沈寒霜继承千亿资产时，与同样重生的假千金沈初夏互换遗产。沈寒霜凭借末日预警，重金囤货、招募异能者、打造顶级安全堡垒，还觉醒逆天变形异能。假千金占据老宅却格局狭小，最终自食恶果。沈寒霜一路升级异能，团结伙伴抵御危机，建立人类方舟堡垒，守护希望并开启新征程。

航班上，心外科专家沈微遭到贺婉宁夫妇抢占座位、当众辱骂。孕妇突发心衰，沈微要求对方道歉补偿才出手施救。借此次事件，她拿出关键证据，揭开五年前遭恒亚集团构陷的真相，惩治幕后黑手，重树职业尊严..............

郎朗不止是pianist。他是这舞蹈项目的艺术指导。郎朗：「很久之前，我已经有将两种表达形式——音乐和舞蹈——平等并置的想法；导致我跟编舞家Stanton Welch与他的舞者合作。对於在钢琴上表达情绪的方式，我没有什麼预先计划。但是当我看到舞者移动，感觉他们是如何被音乐与编舞启发，我感应到，我和舞者的感受一致。」萧邦是很难弹得好的。很少国际级钢琴家可以不看着键盘/自己一双手，眼睛观看着舞者，而依然提供高水平的萧邦演出。郎朗做到了。从舞蹈层面，音乐的拍子倘若飘忽，是不大可能保持舞步跟music完全同步的。可是弹奏萧邦，毫无弹性速度处理是不行的。在这儿，舞蹈跟music完全同步！编舞与跳舞的，都superb。郎朗与舞者「对话」。

大灾变元年，顶尖病毒学家容遇，为斩杀终极变异体、护住年幼幼子与整个人类文明，毅然献祭自我、引爆封禁区域壮烈落幕。未曾想她魂穿重生，降临七十年后的全新纪元，附身于一名受尽冷眼、被视作废柴的十八岁废墟少女。沧海桑田，她当年舍命守护的幼子，已是年迈病重、执掌人类命脉的纪氏家主，两位重孙更是坐镇安全区核心。身负前世顶级学识与百年血脉执念，容遇褪去废柴标签，强势逆袭崛起，以稚嫩年少之躯，再度扛起守护百年血脉、庇护人类存续的重任。

暴雨之夜陆远好心救人，反倒被老者索要七十五万赔偿，一夜之间濒临破产，身边人纷纷疏远。绝境之下真相揭开，这位讹诈的老伯竟是宏远集团董事长沈长山。沈长山开出九千八百万重金，邀约陆远假扮自家孙女婿，与冷面女总裁沈南星定下契约婚姻。起初二人只是逢场作戏，往后遇事彼此扶持并肩同行，陆远坚守本心善良，出众的商业才干慢慢展露，彻底扭转落魄处境，完成人生逆袭。

皮埃尔·尼内([弗兰兹])和阿娜伊丝·德穆斯捷([新女友])新片[舍己救人](Sauver ou périr，暂译)将于本月16日开拍。该片将由弗雷德里克·特利尔([杀手一号])执导，剧本由导演和大卫·奥霍芬共同撰写。电影聚焦巴黎一位消防员，当他自己经历了一场严重的火灾后，他必须同妻子一起重建生活。