George Fowler, a young man from the states, arrives at the Mias saloon, and the proprietor, "Blak Jack" Hovey, orders a saloon girl, known only as "The Flame," to fleece him. When she learns he doesn't have any money she gets him a job at a café. News of a gold strike in the Ophir area comes, and George sets out, with a dog team supplied by Flame. Meanwhile a woman comes to town, says she is Mrs. Fowler and is looking for her husband.

一位英国父亲和儿子在加拿大荒野中进行了一场长达五百英里的独木舟之旅。这是一个关于真实冒险以及抽出时间陪伴彼此重要性的真实故事。

深入阿拉斯加冰封小镇了解当地居民的生存之道 在距离北极圈仅仅六十哩的地方，有一个位在文明世界边缘的小镇：阿拉斯加的塔纳纳。这座只有两百人的冰封小镇在美国鲜为人知，当地人靠打猎与设陷阱捕捉动物维生，这是阿拉斯加人数十年来的生存之道。 今年《育空冰雪生活》将面临有史以来最大的挑战，除了有掠食动物渐渐入侵这座小镇，居民仍得努力不懈地工作养家和保存这种生活方式。对某些人来说，这种生活的挑战可能太过艰钜。他们必须不断对抗刺骨的寒冷气候、危险的动物与体能的极限。全家人都要团结一致，否则将无法生存。 寻找兽肉与毛皮对居民来说是一场漫长的战斗。随著猎物变得稀少，掠食动物会为了觅食铤而走险，可能会把猎人当成猎物，更危险的是牠们可能会攻击不知情的镇民。每一次的季节更迭都会带来新的挑战、威胁与危险。 史丹祖瑞四十多年前逃离自己在波士顿的麻烦过往，来到育空落脚定居，透过尝试与错误的方式学习生存。但是对现年63岁的他来说，育空的日子一天比一天难过。他的儿子桥伊在塔纳纳出生长大。随著父亲日渐年老，现在桥伊除了要照顾自己的农场，也必须挺身担负起养家活口的责任。 查理莱特在一个比塔纳纳还小的村子长大，他20年前搬到这裡定居。镇民碰到任何问题都会来找他，而他也总是能够找到解抉方法。他21岁的儿子鲍伯很想向父亲证明自己已长大成人，但是他必须做出抉择，到底是要留在塔纳纳或是到大城市去找工作。 住在同一条街的摩尔一家也有自己的挑战需要克服。派特摩尔必须解抉家族疾病与生意上的竞争，而他的女儿寇特妮虽然有孕在身，依然努力满足家庭的需求。 这一小群人冒著生命危险，只为了寻找食物和延续自己的生存方式。

宿舍熄灯后，我刷到一条新闻，上面的内容说，附近有一个杀人犯在逃，在隔壁学校杀了好几个人，这个杀人犯极其厉害，会制造幻觉，如假的火灾，在痛下杀手，我以为是某个人再搞恶作剧，又或者是某个人在为了获得流量，通过恶搞来获取快感，我对此非常不屑，就在我准备睡觉时，收到了宿管阿姨的私信，【宿舍一楼发生火灾，请马上离开】

派玛拉（珍妮·提恩坡苏皖 Janie Tienphosuwan 饰）和阿洁（潘普·斯棠 Sitang Punpop 饰）是青梅竹马的玩伴，两个女孩之间感情十分的要好。一天，一个名叫雷克（纳瓦·君拉纳拉 Nawat Kulrattanarak 饰）的男孩搬到了她们家隔壁。没过多久，雷克就喜欢上了个性开朗的阿洁，然而，阿洁却并不是很中意雷克，两人之间常常爆发争吵，每当这时，雷克都习惯向派玛拉倾吐内心里的郁闷。 某日，阿洁告诉雷克，自己爱上了一个名叫特德潘（路易斯·斯科特 Louis Scott 饰）的男人，她要和他结婚。派玛拉不离不弃的守候在心碎欲绝的雷克身边，渐渐的，雷克爱上了她，两人决定携手步入婚姻的殿堂。哪知道，在结婚典礼上，阿洁再度出现了。

Domestic difficulties develop in a working-class family when their daughter falls in love with a Jamaican. Made in the wake of the 1959 Notting Hill riots, Flame in the Streets (d. Roy Ward Baker, 1961), is a tense examination of racial prejudice. Adapted by Ted Willis from his own stage play Hot Summer Night, it had already been produced for television (ITV, tx. 1/2/1959) for the Armchair Theatre strand. In this screen presentation, Roy Ward Baker makes no allowances for liberal sensibilities and pulls few punches in delivering what he himself termed "a harsh picture". Baker's harshness, however, is not entirely without subtlety. He is careful not to be judgemental and much of what transpires is almost in the form of an exposé. Baker elicits a stirring performance from Brenda De Banzie as Nell, whose transformation from typical housewife and mother to snarling racist is the centrepiece of the drama. This is reminiscent of another Earl Cameron film, Sapphire (d. Basil Dearden, 1959), in which it is the sister of the main suspect who is finally revealed as the murderer, driven by a pathological hatred of black people. Peter Lincoln (Johnny Sekka) and Gabriel Gomez (Cameron) are driven by forces quite different from those that drive Kathie and her family, although this is not necessarily due to their cultural difference. Within the integrity of both black characters there is a sense of longing for something other, something as distant as it is difficult to express, and therefore never quite articulated. Gomez is especially keen to avoid conflict, even if this means accepting less than his ultimate worth. But his lack of assertiveness brings him into conflict with his wife Judy (Ann Lynn), who has to force him to attend the crucial union meeting at which his promotion will be decided. Rather than seize his opportunity, he would prefer others decided his fate. To a large extent this perception of West Indians died with the Notting Hill riots. Cameron's performance is assured and deliberate, while Sekka's Lincoln embodies the emotional consequences of the film - heartbreak and a sense of loss. Both characters are presented as martyrs to a higher cause. But in the end, as in reality, Gomez and Lincoln are forced to fight. Their main struggle, however, is with themselves, centred on their fleeting sense of belonging.

这部电影讲述了一个30多岁的女人和一个北非人的爱情故事的痛苦结局，以及她与一位“老牌”记者关系的开始和结束。这些故事说明了一个女人的绝对主张，她只能从生与死的角度来理解爱情，这种态度通常会让爱情看起来很戏剧化，但至少会像她心中燃烧的火焰一样燃烧和闪烁。

我所看过根据爱伦坡小说改编的电影中最超现实的一部。影像很怪诞的一部电视电影。茱莉泰摩是美国著名的女玩偶制作家。 Eerie,strange and beautiful adaptation of great Poe story I accidently caught this strange and beautiful tv movie when it first aired in the early 90's, while I was on a ski trip. With its weird and eerie and incredibly beautiful fairy tale atmosphere it is very reminiscent of Jim Henson's "Storyteller", and it's a shame that it only seems to have aired once and never rerun. I have no idea whether it's available on video or not, but if you can find it, I highly recommend watching it, and reading the Edgar Allen Poe story(titled "Hopfrog") it is based on as well.