美国Showtime电视台将芝加哥公共电台获奖的热门广播节目《美国生活》改编并提升到一个全新的层次，于2007年3月开播第一季。主持人Ira Glass及其团队在前往爱荷华州一个养猪场的6个月旅途中从全国各地收集了人们日常生活故事，并从中精选，给大家展现了独特的美国生活。他们在加利福尼亚州获得了第一手的摄制，在伊利诺斯州的一个嘈杂的夜晚对一个热狗摊进行了特写。结果就是本片展示的真实的故事，同时也是生动的、感人的以及不乏幽默的故事。 　　本片获得2007年美国电视艾美奖写实类三项提名。

美国Showtime电视台将芝加哥公共电台获奖的热门广播节目《美国生活》改编并提升到一个全新的层次，于2007年3月开播第一季。主持人Ira Glass及其团队在前往爱荷华州一个养猪场的6个月旅途中从全国各地收集了人们日常生活故事，并从中精选，给大家展现了独特的美国生活。他们在加利福尼亚州获得了第一手的摄制，在伊利诺斯州的一个嘈杂的夜晚对一个热狗摊进行了特写。结果就是本片展示的真实的故事，同时也是生动的、感人的以及不乏幽默的故事。 　　本片获得2007年美国电视艾美奖写实类三项提名。

维基：http://en.wikipedia.org/wiki/The_Edge_of_Destruction

1917年，踌躇满志的少年叶问（赵文浩 饰）初到香港求学，平静的校园生活却意外被打破。一桩惊天绑架案件在学校举行英文演讲赛的当天发生，全校同学都被挟持，一分钟一条人命。面对眼前的危机，叶问挺身而出，却意外发现绑匪是自己的师父（牟凤彬 饰），而自己的好兄弟（李浩轩 饰）竟然也成为绑匪的帮凶。面对眼前的一切，他该何去何从……一代宗师的成长第一战由此正式打响！

维基：http://en.wikipedia.org/wiki/The_Edge_of_Destruction

1917年，踌躇满志的少年叶问（赵文浩 饰）初到香港求学，平静的校园生活却意外被打破。一桩惊天绑架案件在学校举行英文演讲赛的当天发生，全校同学都被挟持，一分钟一条人命。面对眼前的危机，叶问挺身而出，却意外发现绑匪是自己的师父（牟凤彬 饰），而自己的好兄弟（李浩轩 饰）竟然也成为绑匪的帮凶。面对眼前的一切，他该何去何从……一代宗师的成长第一战由此正式打响！

维基：http://en.wikipedia.org/wiki/The_Edge_of_Destruction

道格玛第十三号作品，一部向《逍遥骑士》致敬且增加离奇与粗劣成分的公路片。两名性格迥异的青年穿越美国西部的摩托之旅，伴随克里斯对美国的浪漫主义态度在沿途遭遇的敌意中遭到考验，彼得继续愤世嫉俗地将其作为欠理想的空无地带，并在悲剧中学到残酷世界的自我保护。影片通过双重视角记录美国日常，并被赋予了哲学背景。（豆瓣电影字幕翻译2.0小组）

Ever since she was a young child, filmmaker Ester Gould has been amazed by the sheer self-confidence of her older sister Rowan, whose boundless creativity and natural beauty tended to make everyone around her jealous. She has the world at her feet, and the universe is her playground. But can such a well-developed sense of your own worth go too far? Self-assurance is greatly valued - until it spills over into an unhealthy overestimation of the self. In this incisive, personal visual essay, Gould explores our society's increasing obsession with the self. Thanks in part to social media, the pressure to have a fantastically successful life is ever greater; personal development seems to be the only thing that counts. The filmmaker follows a number of seemingly successful people going out, socializing and participating in the art world, as they reflect in conversations or interviews on the level of self-confidence they display and how this relates to their actual "self." Meanwhile, dreamy reenactments tell the story of the filmmaker's sister Rowan, illustrated by excerpts from correspondence between the sisters. How marvelously everything is going; how fantastically she's doing; she's taking yet another inspirational course; she gets so many invites that there's simply no time. Gould gradually starts to question her interesting sister's stories, which leads to a disconcerting denouement.

Ever since she was a young child, filmmaker Ester Gould has been amazed by the sheer self-confidence of her older sister Rowan, whose boundless creativity and natural beauty tended to make everyone around her jealous. She has the world at her feet, and the universe is her playground. But can such a well-developed sense of your own worth go too far? Self-assurance is greatly valued - until it spills over into an unhealthy overestimation of the self. In this incisive, personal visual essay, Gould explores our society's increasing obsession with the self. Thanks in part to social media, the pressure to have a fantastically successful life is ever greater; personal development seems to be the only thing that counts. The filmmaker follows a number of seemingly successful people going out, socializing and participating in the art world, as they reflect in conversations or interviews on the level of self-confidence they display and how this relates to their actual "self." Meanwhile, dreamy reenactments tell the story of the filmmaker's sister Rowan, illustrated by excerpts from correspondence between the sisters. How marvelously everything is going; how fantastically she's doing; she's taking yet another inspirational course; she gets so many invites that there's simply no time. Gould gradually starts to question her interesting sister's stories, which leads to a disconcerting denouement.