大选临近，选情告急，拘谨慎言的执政党党魁成众矢之的，压力之下玩失踪，念到当年康城之恋，毅然逃到法国重访以电影为业的旧情人。可怜幕僚急如热锅上的蚁，找来党魁神神化化的哲学家孖生兄弟，瞒天过海替身上阵，岂料冒牌更受欢迎，竟以亲民表现和满腹哲理扭转颓势赢尽民心。果然人生如戏，政治也不过一场表演。汤尼沙维路（《夺命的富贵》）一人分饰两兄弟，容貌一样个性相反，本来各走各路，忽然调换，一边是不羁教授不拘一格释放热情激励众生，另一边就是离地政客走入梦工场再觅春风寻找自由，演来出神入化。

故事的背景设定在1972年，芭比原本是一个本分的家庭主妇，在被丈夫抛弃后，一位主张妇女解放的朋友鼓动她扔掉胸罩，勇敢的走到街上去。此后芭比接触到了许多关于裸体营、嬉皮士、双性恋等新事物，身处时代解放的洪流之中的她，重新认识到了自己的价值。这部片子更像是对那个年代的一种致敬。

大选临近，选情告急，拘谨慎言的执政党党魁成众矢之的，压力之下玩失踪，念到当年康城之恋，毅然逃到法国重访以电影为业的旧情人。可怜幕僚急如热锅上的蚁，找来党魁神神化化的哲学家孖生兄弟，瞒天过海替身上阵，岂料冒牌更受欢迎，竟以亲民表现和满腹哲理扭转颓势赢尽民心。果然人生如戏，政治也不过一场表演。汤尼沙维路（《夺命的富贵》）一人分饰两兄弟，容貌一样个性相反，本来各走各路，忽然调换，一边是不羁教授不拘一格释放热情激励众生，另一边就是离地政客走入梦工场再觅春风寻找自由，演来出神入化。

In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...

這是一個情節豐富，內容惹笑的時裝劇集，內容以在一所監獄內發生的事情為主線，以描述一群監犯和他們的所作所為，和監獄之間的關係，監獄內的制度，管理人員的態度等，其中發展事故頗為曲折，非常引人入勝。 劇情略述如下： 凌可人是一個不學無術的少年，常與一群臭味相投的友人為伴，在外鬧事，雖經其姐凌可楓苦苦相勸，仍是陽奉陰違。 由外國聘來的監獄主任督導員譚國強，為了解本地監獄實況，假扮罪犯混入監獄，與積犯王家賜同一牢房，而王家賜之母親Mi Mi Wong 為一老娼妓，在一偶然機會結識可人，二人遂合作，由可人扯皮條替她拉客，後因利益衝突而拆夥，而可人亦因事被捕入獄。 譚國強在獄中發現獄長闡爆管理過苛，且剝削犯人伙食等種種不當做法，後更被逼顯露身份，因可人被嫁禍，國強誤以為他劣性難改，無可救藥，於是挑選可人作為某次新技術試驗的試驗對象，令可人性情大變…… 另方面家賜因在獄中行為良好，得以提早獲釋，進入馬滔開設的私家偵探社工作，並結識少女林美玉，對她一見傾心，但家賜劣性不改，終於又再次犯事……

林县陆家生日订婚宴上，陆司砚体面现身，却被沈知意当众泼酒退婚。她痛斥陆家把照顾当控制，转身投向城西修车店小老板周燃，一碗白粥打脸满场豪门体面。陆司砚不吵不求，只尊重她的“自由”，陆家随即收回一切资源。沈知意住进漏水出租屋，还坚信自己能靠工作翻身。她在惠丰金融耀武扬威，欺负朴素同期员工林清禾，却在晨会转正名单上听见赵媛和林清禾的名字。她当场崩溃，怎么可能？！

Synopsis August 1945. Choe Han-jung (Jeon Chang-keun) is a Korean freedom fighter who is serving time in prison after being betrayed by Japanese collaborator Nam-bu (Dog Eun-gi). He succeeds in escaping from prison and takes refuge in the home of Hye-ja (Hwang Yui-hee), who is a nurse at a university hospital. Han-jung's underground organization proceeds with its plan for an armed uprising, but Park (Kim Seung-ho) gets captured by the Japanese military police on his way back from acquiring dynamite. Han-jung rescues Park and hides out in the apartment of Nam-bu's girlfriend Mi-hyang (Yoo Kye-seon). While giving Han-jung shelter, Mi-hyang falls in love with him and goes to the basement housing Han-jung's underground organization in order to purvey information and funds. However, she is followed there by Nam-bu and the military police, who shoot and kill her. Han-jung is also wounded and moved to the university hospital. Hye-ja, who has secretly been in love with Han-jung, helps him to escape from the hospital while the military policeman on guard has dozed off. Notes "A full-fledged dramatic film made with the participation of representative figures in the Korean film industry immediately after the liberation of August 15, 1945, Viva Freedom! is a significant film in the history of Korean cinema in that it takes the anti-Japanese struggle and the restoration of Korea's independence as its main subjects." (Chung Jong-wha) Viva Freedom! is one of the earliest dramatic films to be made after Korea regained its independence in 1945. Two figures who represented the Korean film industry during the Japanese colonial period, Jeon Chang-keun and Choi In-kyu, wrote and directed the film, respectively. In addition, the film enjoyed the participation of Han Hyeong-mo, who had returned after studying cinematography in Japan; Kim Seong-chun, Korea's first-generation lighting director; and Yang Ju-nam, the first editor in the history of Korean film. At the time of its release, it also enjoyed tremendous commercial success thanks to the response of an audience still elated by the nation's recent liberation. Viva Freedom! affords glimpses into both the thematic consciousness of the time and the early interest of Korean cinema in the question of genre. Viva Freedom! deals with the themes of resistance against Japanese rule and the fight for independence using the generic conventions of the melodrama and the action movie. That is, if the relationship between freedom figher Han-jung and the two women who love him proceeds according to the plot conventions of the melodrama, the chase and gun fight scenes involving the Japanese military police, for which the technique of cross cutting was attempted, demonstrate the visual characteristics of the action movie. While Viva Freedom! is important for its historical value as a film about national independence, it is also interesting as an early example of the action-melodrama in Korean film history.

野生动物画家向鸢奉行不婚主义，沈氏总裁沈翾洲提出协议婚，谎称婚后她可赴非。向鸢误会他爱慕陆屿，爽快领证。五年归国，向鸢执意离婚，不知沈翾洲暗恋多年，结婚是刻意预谋。沈翾洲温柔追妻，二人互生情意。向鸢确诊胃癌，沈翾洲全程陪护治疗，手术顺利。她发现他藏结婚证、串通闺蜜设局，选择释怀，最后拿出孕检单，收获兼顾自由与爱意的圆满。

Fictionalized biography of Amelia Earhart (here called Tonie Carter). First, a flagwaving preface about air warfare in the Pacific; then flashing back to her first solo flight in 1932; whirlwind romance with sexist ace pilot Randy Britton; advanced training; a transcontinental race; world fame; first, aborted round-the-world flight; and her famous disappearance. This film popularized the theory that Earhart's disappearance was connected with secret work for the U.S. Navy.

20世纪70年代中期的南非，南非《每日快报》的白人编辑唐纳德·伍兹与南非黑人运动领袖史蒂夫·比科相识，并建立生死相依的友谊。比科帮助伍兹成为反对种族歧视的真正战士。不久，年仅30岁的比科被捕被害。伍兹被南非当局剥夺—切权力，宣布为被“禁止”的人，不能继续编辑工作。他就带妻子温迪及五个孩子逃离南非，身上带着他写的关于比科传记的草稿。他要把比科的经历公诸于世，唤起人们为反对种族歧视的斗争。