10岁的小女孩卡拉勒娅亲眼目睹了自己的父母被哥伦比亚毒品大王唐·路易斯残酷杀害。侥幸逃脱后，她来到了芝加哥，投奔了混迹于黑帮的叔叔埃米利奥。　…

有月亮的夜晚，秋风瑟瑟；群情激愤的村民，火把照亮夜空，心莲和志华被绑在木架上，要被私刑烧死，心莲的婆婆素霞赶至，大声喊冤，叔公表示除非…

二十世纪七十年代末，豫东兰桐县后牛村遭受百年不遇的洪灾。时任妇女主任的孙桐花，在救灾时表现突出，而成为村支书。经历了家庭联产承包责任制落实风波，村办企业的起起落落后，孙桐花依然坚信通过村民的共同努力定能将贫困帽子摘掉。天有不测风云，孙桐花独子李秉恒因没钱治病英年早逝，村办企业也遭遇了重大问题。孙桐花一度意志低沉，在儿媳王大翠的帮助下。孙桐花重振信心。2014年，扶贫攻坚战打响，扶贫工作组进驻村里，孙桐花和驻村领导一同带领村民同贫困作斗争。经过几年努力，不仅全体村民摆脱了贫困，兰桐乐器厂也成了远近闻名的优秀企业。在向党中央汇报脱贫胜利的汇报演出中，王大翠代表兰桐演唱了原创歌曲《兰桐花开》，在人民大会堂久久回荡。

No music reviewer would make a career writing about pianists solely from repeated performances of a single concerto, nor any pianist out of playing just the one piece. Yet sometimes writing about stand-up comedians can feel worryingly like this. They all hit more or less the same notes: London... young people... children and parenthood... today's dreadful music... religion... growing up in Ireland (obviously not every comic includes this movement, though sometimes it feels like it)... finishing off with differences between men and women, usually with reference to naughty bits and/or naughty business. The difference lies in the phrasing, the flourishes, the individual expression brought to the work by the performer. 　　Dylan Moran, appearing for seven nights at the West End's Palace Theatre while it spends the summer between blockbuster musicals, plays the standard concerto. It's in the phrasing that his skill resides. His slurred, bellowing delivery and shambling, half-cut persona (although in almost two hours he put away perhaps a third of a glass of white wine) are no longer as novel as they once were, but they belie a greater than average discipline in his material. 　　Moran certainly has a gift for the surreal image and the unexpected adjective, but his spontaneous flights of fancy are brief and a little diffident. He prefers to hone his phrases and seems to script them quite tightly; like a snooker player, he can control exactly the angle at which the ball will come off the back cushion. At times he simply sounds like an early-middle-aged grouch, berating young people for "texting each other because they've given up on speech", but when he stretches out and lets fly with his magnificent vocabulary, he's in a different league. He can use a near-nonsense word like "quadrangulate" meaningfully, or wonder about Ann Widdecombe's voice, "How do you get that many fingernails on one blackboard?" Sometimes the word-images work through bizarreness, sometimes they're simply there to add colour or emphasis in unexpected ways: a granny mentioned in passing is so much less prosaic when she's an emphysemic granny. And the mere phrase "fellating a Smurf" is as euphonious as the image it evokes is disconcerting. 　　Moran's growing film and TV career are vying with his live work for supremacy now, and indeed he's slightly less appealing a performer on stage than one might expect. But the words, oh, the words...! 　　Written for the Financial Times.

文森特（马提亚斯·修奈尔饰）从战场返回家乡，被一个富有的商人雇做私人保镖，负责在他出差的时候保护他的妻子和孩子。文森特很快发现，表面平静的马里兰却也隐藏着危险。

古天乐与谢天华是兄弟，阿龙阿虎，阿龙沉着冷静，阿虎脾气暴躁。他们惹了眼镜蛇雷宇扬，后投靠寸王徐锦江，最后与徐忠信发生冲突，最后被徐忠信剔光头当鸡。

暂无剧情简介

DC将为巨石强森的漫画反派“黑亚当”拍摄外传。强森不再会作为“主要反派”出现在《神奇队长》里，DC将为他单独开拍外传电影。

1902年， 开平矿务局爆发“龙旗事件”，滦州煤矿矿主孟熙臣被捕入狱，英国人欲吞占滦州东营煤矿。孟夫人无奈，召回在秦皇岛考察修建铁路的二少爷孟凡耀回来接管孟家滦州煤矿，成为新的大东家。冯兰兰是孟凡耀青梅竹马的恋人，盐商蔡宣霖的女儿蔡美娟，对孟凡耀情有独钟，于是孟夫人命令孟凡耀迎娶蔡美娟，希望蔡宣霖能为他们提供银两资助。冯兰兰得知孟凡耀大婚，悲痛欲绝，痛心之余，赌气答应了土匪黑彪的求婚，成为黒彪压寨夫人。孟凡耀重新接管滦州煤矿，辛亥革命前夕，孟家爆发“信鸽事件”，孟凡耀被捕入狱。关键时刻，冯兰兰出身相救。英国鲍尔温强行收买孟家煤矿，孟凡耀带领家人披挂上阵，冯兰兰也带领部下前来协助孟凡耀，与官兵展开了激烈斗争，最后一刻，孟凡耀与“黑凤凰”冯兰兰手握炸药与矿井同归于尽。电视剧《黑凤凰》 是由著名导演张子恩担纲指导， 于小伟、俞惠子、陈姝、赵宁宇、 李菁菁、 梁天等实力派演员联袂主演的历史年代大戏。讲述了清朝末年，开滦最先进的开平煤矿被英国人设计骗取股权，一群热血儿女为了保卫新兴的民族工业，与强敌外辱巧妙周旋、殊死搏斗、可歌可泣的民族血泪史。两个红颜知己的情感纠葛、暗流涌动的权力游戏、留洋赤子的强国之梦、民族抗争的残臂断枪和革命复兴的裂骨钢刀等情结，构成了该剧的多重看点。由俞惠子 扮演的冯兰兰，是个侠肝义胆的奇女子。是有 木兰遗风，敢爱敢恨的黑凤凰！冯兰兰自小与孟凡浩（于小伟饰）青梅竹马，而孟凡浩为救父亲，被迫情变，娶了蔡美娟为妻。兰兰悲愤之余流落凤凰山，与寨主黒彪为伍。黒彪对兰兰倾慕已久，为兰兰挺身救父，使兰兰感动不已。后来兰兰渐渐发现自己已怀有孟凡浩之子，被迫下嫁给黒彪。但她却一直对孟凡浩旧情难忘，情感纠结中与孟凡浩时而对立，时而暗中相助，由此多次引发黒彪醋意大发，而发生矛盾。最终为救孟凡浩黑凤凰冯兰兰死在爱人怀里！俞惠子坦言：这个人物的命运非常跌宕起伏，一多半都是内心戏，隐忍、坚毅，其中有十集都是生离死别，特别像繁漪和四凤的综合体。角色赋予演员极大的 张力，极具挑战性。