一名舞者决心要将传统的邦拉舞搬上世界舞台，并准备与另一名有着自己梦想的竞争对手进行一场国际比赛。

Zvenigora is, in terms of narrative and content, one of the most remarkable avant-garde films of an exuberantly experimental period. The film uses the central construct of a legend regarding treasure buried in Mount Zvenigora to build a montage of scenes praising Ukrainian industrialisation, attacking the European bourgeoisie, celebrating the beauty of the Ukrainian steppe and re-telling ancient myths. The narrative is built upon Modernist lines, disregarding the traditional, novelistic storytelling techniques and instead using abrupt shifts in time and using the constructive devices of avant-garde poets such as Blok, Bely and Mayakovsky to create a picture of modern Ukraine that pushes in several directions at once. There are some incredibly striking tableaux that require the viewers to create a structure for themselves (such as the Bolshevik soldier directing his own execution) although the climax does draw the preceding events together, combining the dialectical threads of modern industry and the old man's myth together in two exhilarating scenes. The cinematography is fascinating - elements of the style of Eisenstein, Pudovkin, Protazanov and Kuleshov are recognisable, yet Zvenigora seems completely different to any of them. The juxtaposition of rapid montages, swift city tours and slow, poetic journeys around the countryside is powerful, and the mythical scenes, although winding, are beautifully realised with a dreamlike quality to them. Zvenigora is not Dovzhenko's masterpiece, if only because his Earth (1930) is one of the greatest Russian films ever made. However, it is highly recommended, although if you are new to Russian film of the period it is probably not the best place to start.

Feet of Song explores the African rhythms of the talking drum and the guitar. The animated stylised figures move beautifully in time with the music, leaping and stamping to the musical score. The bursts of abstraction within the film are often just a few gliding brush strokes cleverly depicting the human form in movement. With the use of airbrush and watercolour, one can see black shapes move against the orange, ochre and stripes of primary colour and a host of multiplying dance forms. Erica Russell researched extensively for her film in dance, music, African masks, sculpture and body painting.

滑雪圣地，阿斯彭，科罗拉多。 ASPEN is a film about a town famous in the 19th century for silver mining and now for its scenic splendor, mountains, skiing, hiking, music, intellectual activity and fashionable people. The film documents the daily life and activities of the people who live, work, visit and play in Aspen in the winter.

首席男舞者——有资格饰演王子的芭蕾舞者。 村尾润平是一名初二学生，他幼时被芭蕾舞的魅力吸引，但父亲的去世，让他决心“成为男子汉”，放弃了学习芭蕾舞。但有一天，美女转学生——五代都出现在了他面前。 都发现润平喜爱芭蕾舞，并邀请他学舞。于是，润平和都的发小——森流莺一同，正式走上了成为芭蕾舞者的道路。 “我要成为第一个日本籍首席男舞者” 只有为芭蕾舞牺牲一切的人，才能在古典芭蕾舞界拥有一席之地。而润平这个彻头彻尾的初学者，又将面临怎样的命运？ 著名漫画家——GEORGE朝仓，其作品首次动画化！MAPPA（制作）×境宗久（导演）挑战芭蕾舞者们的热血青春芭蕾舞故事！！

18名热爱舞蹈运动的女孩在这个小镇追逐着自己的梦想，与她们同龄的大多数人都在为最近重组的造船厂的就业做准备。

《舞动节拍》讲述了从小就热爱舞蹈的14双胞胎姐妹花，遇上了她们最爱的明星正在招募舞蹈团队为其伴舞，从小相互扶持的姐妹却各自组建团队，开始了前所未有的竞争...

埃莉西亚是一名大学生，她参加了一场墨西哥马术比赛，想暂时逃避自己的问题。很快，她发现自己的健康状况会阻碍她追求自己的热爱。

《舞动敦煌》由央视频、红果短剧、北京舞蹈学院联合出品，以敦煌壁画为创作原型，将敦煌壁画中的经典形象和舞姿，转化为灵动优美的动态影像，开创了“舞蹈+短剧”的全新艺术形态。 该剧融合敦煌文化与东方舞蹈美学，通过“古今双线叙事”构建千年文化对话场景，不仅生动体现了“敦煌舞”在古丝绸之路文化交流与民族融合中的重要历史意义，更让静态壁画跃然而出，成为动态文化符号。国家级舞蹈院校的专业支撑，既保障了剧集的艺术水准，也让剧集精准锚定年轻群体审美需求，实现敦煌精神在当代的价值重塑。 主创人员表示：“我们让壁画‘活’起来，不仅是技术的炫技，更希望让年轻人看到，传统文化从未远离他们的生活。”据悉，该剧将于央视频、抖音、红果短剧和电视端同步播出。