I saw people flee in fright before the force of Chromaticité I, during which I remained fastened to my seat, in the clutches of fear. The last image, the screen turns white: I glance at my neighbour, immobilised just as myself. (Bernard Weidmann, Rhizome Hérétique, 1980)

米哈伊尔·洛吉诺夫上校带着妻子斯韦特兰娜来到一个海滨小镇的军事基地上任。他们的到来打乱了边防支队队长阿列克谢·斯特列佐夫平静、安稳的生活。二十年前，正是这个斯韦特兰娜毫无缘由地离开了他。如今，阿列克谢已有了自己的家庭——妻子维拉和儿子达尼拉。然而，旧日的伤痛又开始隐隐作痛……

这部电影以细腻且温情的方式触及了一个非常严肃的问题：在热爱生活的同时，如何不再惧怕死亡。我们与这部电影的主角们——来自世界各地的现代天才和普通人一起探讨（并欢笑）这个话题。

Documentary discussing the life and work of José Lewgoy, one of the most important Brazilian actors of all times.

A short film by Samona Olanipekun. A portrayal of contemporary male identity, which peels back the layers of self. A young man spends a day preparing for his 30th birthday while confronted by a very familar person. Featuring Jonathan Ajayi & Samuel Adewunmi

An architect heads to the altar with her fiancé, unsure of her marriage and their future. She relives her disastrous wedding day, put together by her fiance’s overbearing mother, over and over until, with the help of his brother, she begins to face her biggest fears and discover what she really wants in herself and in her life.

韦恩·麦格雷戈惊人才华的多样性体现在色度 / 基础设施 / 石灰门中，每一个都是为皇家芭蕾舞团创作的，他是皇家芭蕾舞团的常驻编舞。亲密而普遍，光明而黑暗，狂热而抒情，麦格雷戈追求他对探索人体和心灵内部运作的热情，他的多层次和美丽的舞蹈为观众提供了视觉、感官和动觉的刺激。作品：色度（Talbot；White III）；基础设施（里希特）；里门（Saariaho）。

A young trans person travels to the city in search of the freedom to be themselves

Küünlaleegid hubisevad. Kust küll leida sel pimedal lõputul unenäomaastikul iseennast?

An experimental television transmission consisting of a Japanese katakana character which is pronounced "i".