THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not. This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show. But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it. There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect. Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm. Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film. There are English subtitles, but they are no brighter than the script.

孤女沈小满娘死父逃，自幼跟着重男轻女的奶奶生活，所有好吃好穿都紧着堂弟，她常年啃粗粮穿旧衣，默默隐忍从不抱怨。可她16岁这年，奶奶竟收下三两银子，把她卖给柳溪村周家做媳妇。孤苦无依的她无力反抗，只能被赶车人扔在周家破院，满心凄苦只叹世道不公。

Mother and daughter compete over same singing role and, unbeknownst to each other, the same man.

剧情讲述美国缉毒人员因查案被杀，其女儿怀疑一英国化妆品公司与此事件有关，遂到此公司做工业间谍，因而认识了另一位以工业间谍掩饰身份的国际警察，二人合力破了大案。

An insurance investigator romances a wealthy young beauty when he suspects she may be involved in fencing stolen jewels.

该片讲述了影视公司经理杨峰工作表现出色、能力强，深受许总信任与青睐。为嘉奖杨峰、鼓舞其士气，许总特意安排他外出旅游度假。杨峰携老婆张燕和女儿婷婷，来到许总提前安排好的度假山庄这个旅游胜地。然而，山庄看似并不平静，接二连三发生灵异恐怖的离奇事件。婷婷半夜醒来，在黑暗中与陌生人交谈，天亮后又回屋继续睡觉。张燕在浴室惊恐地发现有一双红色眼睛和血手悄然逼近，等她惊觉回头，却又消失不见。夜里常常传来鬼哭狼嚎的声音，张燕感觉天旋地转、头痛胸闷，喘不过气。女鬼为洗清生前所受冤屈，将目标锁定杨峰，在梦境中不断迷惑他并与其发生性关系。张燕隐约感觉身边有脏东西，便请来法师驱邪。法师与女鬼唐欣周旋时得知，唐欣生前与许总颇有渊源，曾被许总强暴，不甘受辱而自杀。张燕与唐欣谈条件，为求家庭幸福安宁，色诱许总，拿走了他随身佩戴的有法力的佛珠。许总没了护身符，唐欣轻易靠近他并报了仇。在唐欣与许总厮打时，张燕趁机带着老公和女儿逃离了山庄。

At the Conservatory of Vienna the student only have eyes for their beautiful singing teacher, tenor Eric Walter.

新加坡歌后李愛蓮（葉楓）攜妹李小蓮（張慧嫻）到香港發展，希望能夠得到富商許兆豐（喬宏）的介紹，在旗下的春風殿夜總會擔任歌手。晚上許兆豐於春風殿為李愛蓮接風，李愛蓮即席高歌一曲，博得全場讚賞；春風殿經理董獻章（高原）見機不可失，答應與她簽約。替李愛蓮伴奏的樂隊領班陶正聲（雷震），對李愛蓮的艷色與歌藝一見傾心，忍不住回家對姊姊陶海音（李湄）提起李愛蓮加盟之事。陶海音本為「香港歌后」，更與許兆豐相戀多年，今見李愛蓮來勢洶洶，既擔心事業受到威脅，又疑心愛人移情別戀，遂決心與李愛蓮爭奪春風殿的演唱合同。 翌日二人分別到春風殿要求簽約，董獻章左右為難，情急智生下，決定同時聘請兩人以單雙日輪流表演，一個月後看成績再談續約。二人互不相讓，同時簽下合同。 簽約後二人毫不示弱，互出奇謀以求打倒對方。陶正聲深愛李愛蓮，只忙著為她伴奏，又介紹她跟唱片公司簽約，因此冷落陶海音。陶海音既不滿弟弟偏心，又妒恨李愛蓮處處爭先，於是出奇制勝，搶在李愛蓮前面於電視節目表演。李愛蓮以為陶正聲從中作梗，對他冷言相向。 陶正聲不滿陶海音的爭勝好強，一氣之下決定不再與姊姊合作，並且離家出走，姊弟關係面臨決裂……