年轻女孩特瑞丝 （ 鲁妮·玛拉 饰）在纽约追求梦想，却只能成为玩具售货员，某日她和身陷婚姻危机的金发中年主妇卡罗尔 （ 凯特·布兰切特 饰）在百货公司偶遇，两人一见钟情，在一次次会面中发现对方是自己的真爱。然而同性恋在50年代美国是不被允许的，特瑞丝的男友也认为她只是一时迷惘，卡罗尔的丈夫和女儿请私家侦探调查取证，希望在离婚诉讼中让卡罗尔失去的抚养探视权，卡罗尔暂时离开了特瑞丝，而在这段时间里，她其实做好了一切要与她真正一同生活的准备 。

在1991的英国伦敦，一位平凡少女「卡罗尔」的身边开始发生了奇怪的事情，包括英国的象徵大笨钟在内，许多的声音都消失了。 某天半夜，她跑进学校播放自己喜爱的黑胶唱片，但却突然进入了另一个异世界，在那里她遇见了两名男子，三人展开了一段冒险故事……

This 16mm Abstract Movie by the Ed Emshwiller is a masterful piece of Pure Cinema. It's wonderfully conceived, beautifully shot, tightly and lovingly edited and put together with a poignant gentle musical score. The optic/in-camera mechanical celluloid visual effects are emotionally Cinematic. This is a visual tone poem, a romantic poetic Love Letter to the movie maker's wife, Carol Emshwiller. The visual textures of the tree barks and the leaves on the branches being gently blown in the wind being double-exposed with the visual texture of Carol's facial skin is sensually pleasurable and expressive. The movie's pacing from a gentle slow rhythm to a kinetic and kinesthetic visual cascade of flashing and flickering colors and explosive motion and bright lights contrasting with dark shadows and shapes in super fast alternating spirals and bursts is exhilarating visceral emotionally intense cinema.

一对天真的夫妇为了在伦敦成人娱乐文化中取得成功而离开了他们的小镇。

Internationally-renowned photographer Mae Jordan, professionally known as 'Emanuelle', is hired by a wealthy British expat to go to Nairobi to shoot the ruins and wildlife. While there, she explores sexual situations with her hosts and their friends.

Sophie who goes to college with Emmanuelle (Sylvia Kristel). A bad decision makes them go their separate ways into separate worlds with totally different lives. Now Emmanuelle must try to right the wrong and bring Sophie back to the fun side of life.

Karol has everything. He has three mistresses in addition to the bride. He is charming, loves sex and enslaves women in the blink of an eye. He's also well aware of that women like and uses it for his benefits.

富家女苏菲菲与男朋友乔奇游泳，他欲强奸她，一怒而去。返家途中菲菲遇摄影师唐安良，唐专门拍摄人体艺术照片，苏父逐邀他为其杂志社工作，并要他发掘新脸孔。安良找菲菲当模特儿，二人在互相吸引下发生关系。其实安良已有家室，妻小凤虽貌美，却一直无所出，小凤母逼二人早日添丁。男方面安良生性风流，常与不同模特儿在户外做爱，与他所拍摄的照片意念相同。乔奇往找菲菲，菲菲不肯再给他机会。小凤获悉安良与菲菲鬼混，往找菲菲谈判，菲菲认为安良真心爱自己，小凤则谓丈夫逢场作兴，回家后小凤对安良说要离婚，她却又不断与他燕好，使他无力再在外寻花问柳。菲菲则听到安良在其背后说她主动投怀送抱，大怒，跑到酒吧买醉，岂料遇上乔奇，她便表示要与他欢好。乔奇教训菲菲勿贱视男女关系，菲菲如梦初醒，方知乔奇才是最值得自己爱的男人。

Emanuelle Around the World (Emanuelle - Perché violenza alle donne?), also known as The Degradation of Emanuelle and Emanuelle Versus Violence to Women, is a 1977 sexploitation film by Italian director Joe D'Amato, starring Laura Gemser and George Eastman. The film was one of the most expensive films ever made in Italy at that time, not just in cast but in locations. The filming was done in many countries; Hong Kong, Iran, India, America and in a studio in Italy. It features a notable cast, including Gemser, Karin Schubert, Ivan Rassimov and Eastman.