九歲就進芭蕾學校的歐姍娜，一心想成為芭蕾女伶，同時報答媽媽苦心栽培她跳舞，遠離貧窮的夢想。為了跳出曼妙的舞姿，多年來永無止境的練習、嚴格的體重控制，以及犧牲與同年齡的孩子應有的自由，是芭蕾少女必經的犧牲之路。伴隨著許多挫敗、淚水、孤單，唯有不停自我激勵、要求，才能持續下去…。

阿列克塞（谢尔盖·贝泽鲁科夫 Sergei Bezrukov 饰）是一位非常有名的芭蕾舞演员，却在一次表演中身受重伤，不得不告别舞台。阿列克塞一生都将芭蕾舞表演视作是自己生命的支柱，因此这一重大变故给予了阿列克塞沉重的打击。 一晃眼二十年过去，阿列克塞的身体状况每况愈下，甚至很快就将会无法行走。然而，越是身陷低谷，阿列克塞就越是无法忘却对于芭蕾舞的热情。在这二十年中，阿列克塞一直都在设计一些难度非常高的芭蕾舞动作，现在，单纯的设计已经再也无法满足他了，他决定再度站上舞台，向病魔宣战。可是，阿列克塞要面对的并非生理上的痛楚这么单纯，他还要抵御周遭人的诋毁和怀疑。

阿列克塞（谢尔盖·贝泽鲁科夫 Sergei Bezrukov 饰）曾是知名芭蕾舞演员，却在一场表演中重伤，无奈告别舞台。他一生都把芭蕾舞视为生命支柱，此次变故给他带来沉重打击。 二十年转瞬即逝，阿列克塞身体每况愈下，很快就可能无法行走。但越是身处困境，他对芭蕾舞的热情就越难磨灭。这二十年间，阿列克塞一直在设计高难度芭蕾舞动作，如今，单纯的设计已无法满足他。他决定再次登上舞台，向病魔发起挑战。然而，阿列克塞要面对的不只是生理上的痛苦，还有周围人的诋毁与怀疑。

In his review of Feminine Melancholy in Kinema Junpo, critic Mizumachi Seiji praises Irie's performance as the best of her talkie career. However, he is very critical of the film itself, which he sees as a typical story of a woman in an unhappy marriage. He is not sympathetic toward the heroine's patient suffering and describes the nagging mother-in-law as a "hackneyed theme." Naruse's detailed "documentation" of Hiroko's role in the household is dismissed as a "manneristic obsession," and Mizumachi suggests that the director is hiding behind "the shadow of the materials." Most severely, he criticizes Naruse for "abandoning his authority as an auteur" by resorting to "shinpa-tragedy," which is seen as a capitulation to a form that has "wielded a powerful hold over the imagination of the masses." Although Mizumachi notes that Naruse has probed into "the deepest recess of the female psyche," he doesn't recognize this as the film's achievement, perhaps because he is looking for something else from the director. His review reveals the difficulties Naruse faced in maintaining his "auteur status" while moving with the tides of popular culture. For Mizumachi, the character of Yoko is the most typical Naruse heroine, perhaps because she is dragged down by her delinquent lover; however, in retrospect, it is evident that Hiroko's tenacious survival of adverse circumstances looks forward to Naruse's postwar heroines.

暂无英文版的简介，请添加内容帮助我们完善数据库。

"The film follows the rehearsals and performances of seven ballets: Genus by Wayne McGregor, Medea by Angelin Preljocaj, The House of Bernarda Alba by Mats Ek, Paquita by Pierre Lacotte, The Nutcracker by Rudolph Nureyev, Orpheus and Eurydice by Pina Bausch, and Romeo and Juliet by Sasha Waltz. The film shows the work involved in administering the company and the coordinated and collaborative work of choreographers, ballet masters, dancers, musicians, and costume, set, and lighting designers"--Container. Running time for disc 1: 85 min.; disc 2 running time: 73 min.

时隔近 40 年，前苏联首席芭蕾舞演员、现国际知名编舞家露塔 - 迈尔斯重返俄罗斯。她受俄罗斯主要芭蕾舞剧院新任院长邀请，要在该剧院上演一部原创现代作品。在此期间，露塔得重新建立与朋友和对手的关系，这些人如今已成为俄罗斯芭蕾舞界的重要人物，而其中最重要的是与剧院艺术总监安德烈 - 普罗宁及其家人的关系。他们曾是恋人，旧情与旧怨在重逢后一同被点燃。金钱、野心和事业都面临着风险。露塔努力消除内心的疑虑，想远离剧院的勾心斗角，可即便她拼尽全力，还是发现自己陷入了与艺术毫无关联的情欲与阴谋漩涡之中。

35岁的芭蕾舞演员欧阳婕突然遭遇舞团裁员，家庭中也发生重大变故。陷入绝境的她在偶然的机会下，到云南的古茶树林中寻找新的启发。

暂无剧情简介

TV Mini-Series 在电影“乐懊恼DES Belges“改编，由雨果·克劳斯的小说，一个关于成长的故事和路易的生存和他在二战前和战争期间，德国占领下的佛兰芒家庭。战前的时间电影首发，路易斯为女性天主教修道院的寄宿学校去。德国占领，生活和适应新秩序的第二阶段。