In an interview with Hans Scheugl about the ideas and techniques behind some of his films, the film-maker Kurt Kren told the following anecdote, which sheds an interesting light on his work. For his film Tree again (1978), Kren used a highly sensitive infra-red color film, a type which usually has to be developed within a very short period of time. However, Kren who has always worked on a very small budget, only had a roll of film which was already five years past its expiry date and, as Kren says, "there was little likelihood of anything turning out on the film." But he still decided to take shots of a large and splendid tree surrounded by bushes and a stretch of pastureland over a period of several weeks, from summer to autumn - a series of individual pictures taken from the same camera position. As he says, "I didn´t have much hope - (I knew) it was a crazy thing to do." But Kren´s illogical hope and his unshakeable confidence in his material were rewarded. Tree again became one of Kren´s most beautiful works - although it is difficult to single out any individual work from a corpus of extraordinary density and variety which spans over thirty years and includes over 40 films. The tree, the field, the sky, in fact the entire picture radiates an unusual, almost eerie artistry, with its rapidly changing blue, green and reddish hues, sometimes brightly illuminated for the fraction of a second like the flash of lightening in a technicolor horror film. Or a sky of deep blue with clouds scudding across it, an airplane drawing condensation trails which fade away imperceptibly, the abrupt juxtaposition of sun and shadow and the strong, gusty movement of the wind amongst branches and leaves, as though an endless and destructive storm were at work. An apocalyptic picture, yet one that is full of a wonderful, quiet beauty - the changing of the sun, and the play of light, how autumn arrives in a matter of seconds and the leaves begin to fall, the shadows of grazing animals which appear and disappear in the blink of an eye.

Antonina, an artist from Saint Petersburg, follows her husband, a political prisoner, to the deep north province of Russia. As she starts teaching art in a local school, she finds herself opposed by a twelve-year-old boy, Misha, whose brother is a feared local gang leader.

二十世纪的超现实主义艺术原来另有先驱，早在数百年以前已有传奇荷兰画家Bosch，其影响力极大，连超现实主义大师达利都要以「新Bosch」自诩。 Bosch的作品风格怪异而瑰丽，他笔下的世界充满形形色色的奇珍异兽，处处流露强烈的象征意味，深切洞察人性的欲望及恐惧。 　　Bosch现存的油画画作仅25幅，包括他的旷世巨作《人间乐园》、《七宗罪》等；虽然作品不多，奇思妙想却无远弗届，上至天堂，下至地狱，甚至穿越时空，启发无数当代的艺术家。 　　Bosch偶尔才会为作品签名，但不写明作画日期，加上他有自己的作画工房，所以多年来研究艺术的专家百思不得其解：有多少作品出自他本人之手？有多少是他死后由工房「幽灵」代笔？法国罗浮宫、西班牙普拉多博物馆等的大师珍藏会不会混入几幅小工匠之作？ 　　《Bosch：地狱图绘》跟随研究团队到荷兰、法国、美国、西班牙，集合硕果仅存的Bosch出品，由数算画框木材的年轮到红外线透视，将作品层层剖析，由现在重塑过去，透过画家的观点，从地狱中窥见点点天堂。

「使人残疾的是心，不是身体。」二十三岁的贵田梦马因脑性麻痺，长年以轮椅代步，母亲待她如易折的鲜花，偏执呵护，但隐藏在美少女漫画师身份背后的她，依旧梦想著独立自主。梦马将作品投稿至成人漫画编辑部，却被批评「经验不足」，她也因此开始探索自己的慾望。当她与专门为身障者提供性服务的舞姐相遇，性启蒙的欢愉仿如盛开的花蕊，艳丽而张扬，而关于她生命起点的秘密，也正隐隐显现端倪……。 　　以爱欲启蒙为主轴，导演HIKARI在海选中深受零表演经验的佳山明吸引，并以她身为大脑性瘫痪残障人士的亲身经验重新编写，虚实交织成这部缤纷曼妙的真挚之作。资深演员神野三铃、渡边真起子分别饰演保守派母亲与解放派性工作者，情感张力十足，涩川清彦、石桥静河惊喜现身更添亮点。 　　「人应该有无限可能，唯一的限制，只会是我们自身。」──HIKARI

刺眼的阳光，斑驳的丛影，本该宁静单纯的高中校园发生了一起自杀事件。破碎的时光扭转，开始讲述六名高中学生的故事。史蒂文（查尔斯·贝尔德 Charles Baird饰）是个自卑的男孩，他的世界里除了足球一无所有。而校足球队主力卢克（山姆·哈里斯 Sam Harris饰）跟他的女友莎拉（玛尼·斯皮兰 Marni Spillane饰）是校园里公认的一对儿，善良的麦乐蒂（泰莉莎·帕尔墨 Teresa Palmer饰）一直暗恋着卢克，可自当她遭到同胞弟弟马库斯（弗兰克·斯威特 Frank Sweet饰）的性侵犯后，一切都坍塌了。然而卢克却与肖恩（乔尔·麦肯齐 Joel Mackenzie饰）保持着隐秘的同性恋关系。面对性、家庭和爱情，这六名少男少女的脆弱和无助，该何处安放？ 　　本片入围2006年第19届东京国际电影节主竞赛单元-东京电影节大奖。

刺眼的阳光，斑驳的丛影，本该宁静单纯的高中校园发生了一起自杀事件。破碎的时光扭转，开始讲述六名高中学生的故事。史蒂文（查尔斯·贝尔德 Charles Baird饰）是个自卑的男孩，他的世界里除了足球一无所有。而校足球队主力卢克（山姆·哈里斯 Sam Harris饰）跟他的女友莎拉（玛尼·斯皮兰 Marni Spillane饰）是校园里公认的一对儿，善良的麦乐蒂（泰莉莎·帕尔墨 Teresa Palmer饰）一直暗恋着卢克，可自当她遭到同胞弟弟马库斯（弗兰克·斯威特 Frank Sweet饰）的性侵犯后，一切都坍塌了。然而卢克却与肖恩（乔尔·麦肯齐 Joel Mackenzie饰）保持着隐秘的同性恋关系。面对性、家庭和爱情，这六名少男少女的脆弱和无助，该何处安放？ 　　本片入围2006年第19届东京国际电影节主竞赛单元-东京电影节大奖。

亿万富翁、软件大亨、亚当·皮(Adam Pi)拥有生活中的一切，除了高中时代的美好回忆。他不情愿地参加了第20次聚会，度过了一段如此美妙的时光，他发现自己在想“如果我当时知道我现在知道的事情”，于是他给了整个研究生班一年的薪水，让他们回来再做12年级的一个月。

Six months after the suicide of his fiancé, Patrick, Tommy has hit rock-bottom, avoiding dealing with his emotions through drinking and casual sex. One night he meets John, a man new to LA, in his acting class. Feeling an instant connection with him, he allows John to stay at his place. After time spent together, Tommy develops feelings for John and begins to feel happiness again.

RONIN of Johnny Gargano, Rich Swann & Chuck Taylor vs. The Bravado Brothers & Moose / EVOLVE Championship Match Drew Galloway defends vs. Ricochet / Uhaa Nation vs. Biff Busick / AR Fox vs. Trevor Lee / Roderick Strong vs. Timothy Thatcher / Shane Strickland vs. Anthony Nese w/ So Cal Val, Caleb Konley & Su Yung of The Premier Athlete Brand