改编自六個夢之《三朵花》 歸亞蕾(念琦)、劉華(念瑜)、陳瑛(念琛)、武家麒(楊蔭)、林偉琤(章母)、吳風(徐立群)、葛小寶、王引、吳燕

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. Alexander Jacoby & Johan Nordström wrote: Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

又到年底了，回家过年这个永不过时的话题重又提起。本片讲述的就是一对80后小夫妻在下班回家的路上发生的一点小冲突，临近年底自然需要考虑到回家过年的事，但是回家过年确实是个问题，陪谁的父母过年呢？

一间工厂内，一位外劳妈妈决心讨回自己的工资，还有一位与女儿关系糟糕的刻薄女老板。与此同时，有个一心想回家的抢劫犯也卷入其中。三人这般小人物的命运，在一场抢劫事件里相互交织。一场夜雨降临，给每个人都带来了些许希望，而每个人也都需要拿出一点小勇气，继续前行。

又到年底了，回家过年这个永不过时的话题重又提起。本片讲述的就是一对80后小夫妻在下班回家的路上发生的一点小冲突，临近年底自然需要考虑到回家过年的事，但是回家过年确实是个问题，陪谁的父母过年呢？

李宏与小燕相恋三年谈婚论嫁，李家按要求送去 18 万 8 彩礼及四金。婚期将至，女方母亲临时索要 1 万元下车钱，李宏失望离家，婚事告吹。女方家拒不退彩礼，两家反目。村长出面调解，小燕坚持退还全部彩礼。一年后，两人意外重逢，坦诚当年误会与心意，心结解开，历经考验的感情破镜重圆。

《花落流年》主要讲述了小提琴手李逸凡为过世的奶奶完成爱情的遗憾，并在这个过程中找到了真正的爱情。虞书欣饰演女主角李逸凡，同时也饰演奶奶的青年时期，95后萌妹子将首次挑战民国服饰。

这是台湾三个红颜歌女，坎坷人生和悲惨遭遇的真实写照。这是犀利之刃，挑开了台湾社会档案的封口，这是一个社会生活的万花筒，你可窥见台湾社会中色情、贩毒、暴力、以及形形色色，光怪陆离的社会丑恶......

我救了一个被做成人彘的乞丐。她五官尽毁，犹如恶鬼。可颈间，却有着和我女儿一模一样的莲花胎记。但我的女儿，此刻应在边关做风光的将军夫人。