科研教授沈知意为研抗癌药，活体摘除许薇母亲心脏致其惨死，许薇的丈夫陆研白因感念沈知意的救命之恩，执意包庇其罪行，将许薇逼入牢狱，还致其丧子、身心俱创。绝境中的许薇彻底觉醒，毅然决裂并借力反击，让陆研白与沈知意伏法受惩，最终她挣脱情伤枷锁，远走他乡，活成独立自由的自己。

They dance in the water. They are like wandering clouds. But not for an homophobic spectator.

江静慧偶然得知异地一年的丈夫沈续舟在外与周文文同居六年并育有一女，甚至将夭折女儿的定制金饰给了私生女。她在满月宴上当众揭穿真相，离婚后拿回财产，与律师顾淮相恋。前夫众叛亲离、落魄潦倒，而女主事业成功、再获幸福，活成了自己的光。

孤女云窈被谢府主人谢衍之强娶，只因她酷似其白月光阿鸢，新婚夜便因逃跑被挑断脚筋囚禁。她沦为替身，更惊觉自己只是替身的替身，与同被禁锢的沈棠暗中结盟。谢衍之偏执疯魔，阿鸢被寻回后，以自身自由换云窈、沈棠等人逃离深宅。最终阿鸢假死脱身，与她们重逢，破碎的灵魂在烟火人间里，终得自由与救赎。

一向温和顾家的顾明澜，发现丈夫为报恩，多年私自转移夫妻共同财产补贴侄儿，漠视亲女儿的权益。她不再一味退让，果断止损，拿起法律武器维护自己与女儿的权益，拿回全部财产，活出自在舒展的人生，也为女儿树立勇敢向阳的榜样。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer