宋曦妍重生后，发现前世丈夫陈浩东与闺蜜吴丽丽的阴谋，他们设计假死并替换儿子。愤怒之下，宋曦妍决定复仇。她故意配合两人，在葬礼上揭露真相，让陈浩东和吴丽丽自食恶果。陈浩东为还债，企图夺取宋曦妍装修公司的股份。然而，宋曦妍凭借前世记忆，预知装修产业股价将大跌，故意将股份卖给陈浩东。陈浩东因此一败涂地，一年后流落街头。此时，他遇见了已重获新生的宋曦妍，后者光鲜亮丽，形成鲜明对比。

天界战神乌蔓为护苍生，千年前以身饲魔坠入封魔渊，虽保全神魂与肉身，却因虚弱无法合体，只能以神魂之态旁观。四百年间，四位穿书女先后占据她的身躯复活，却皆因执着于与长相四分相似的百合花妖花晚晚争夺众神之爱，最终惨死。 看透一切的乌蔓厌烦了这场闹剧，在第五个灵魂降临前夺回肉身，强势回归天界。

讲述一位80多岁的寡妇，因为水库建设而面临被重新安置的威胁。出乎意料的是，她却因此而找到了新的生活方向，并带动整个社区活力……

新婚夜，谢栖连盖头都没掀，便说自己是下凡历劫的战神，不能与我成婚，却可满足我两个心愿。我只要他复活一人。他以为我要救娘亲，却不知我要救的是亡夫黎初。后来他才明白，这两年的温柔纠缠，不过是我为亡夫求来的一线生机。

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 入围西宁first电影节纪录片实验室 入围CNEX社会影响力工作坊

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

在族长的葬礼上，梅雷尔家族重新团结起来，并在谁应获得哪部分遗产的问题上发生冲突。没过多久，这个由不相容的梦想、欲望和否认组成的情感大熔炉就会沸腾。

A funeral parade in Cairo.