孤儿王晓敏前世受尽压榨、惨死，重生回爷爷葬礼，手握丈夫留下的五十万抚恤金，五天撕破两家贪婪嘴脸：戳谣言、抓偷菜、清公账、当众分家公示抚恤金。葬礼后三家按月分摊赡养老人，三叔逼小姑辍学被驳斥。大伯借三十八万被拒后纠缠，她巧用三叔重男轻女令两房结怨。最终小姑考入顶尖高校，一家至亲尽数护住。

林婷婷在婚姻中曾因退让而疲惫，面对丈夫周铁根的愚孝与摇摆，她选择清醒自救并坚守底线。最终周铁根反思担责，两人理清亲情边界，消解隔阂。他们在体谅中双向成长，于烟火日常中守住人间清醒，携手奔赴向阳安稳的生活。

沈知微收回房产，创办新席计划，助力女性实现经济与人格独立。周家众人亦迎来转折：冯桂兰醒悟，周梦琪成长为业务主管，周承泽认清错误。最终，沈知微在国际峰会邂逅尊重女性的顾言川，两人在平等关系中收获真挚爱情。

大婚当日，男友相伴十五年的异性好友竟身披白纱登场，当众自称原配，直指女主是介入者，对女主肆意挑衅刁难。从婚品挑选到婚宴排位，该女子屡屡越界插手女主的婚事，男友却始终要求女主包容忍让，全程对越界行为纵容嬉笑。一次次退让换来的是得寸进尺，女主积攒的委屈终于耗尽，不愿再妥协，她决意叫停这场满是委屈的婚礼。

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 入围西宁first电影节纪录片实验室 入围CNEX社会影响力工作坊

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

在族长的葬礼上，梅雷尔家族重新团结起来，并在谁应获得哪部分遗产的问题上发生冲突。没过多久，这个由不相容的梦想、欲望和否认组成的情感大熔炉就会沸腾。

A funeral parade in Cairo.