衝突、事端和當面對峙，導致一個多世代家族在勒克瑙的團聚，成為一場情緒激動且曲折不斷的家務風波。

冲突、对质和复杂的状况让这个多代同堂家庭在乐勒克瑙的团聚变得多事而充满情感波折。

Hulu重启了2000年初拍摄的一部家庭情景喜剧。原班人马重聚首。身处当今快速变化的世界中，众人必须尽快处理那些亟待解决的问题。

一场同学会，如同投入湖心的石子，骤然激荡起沉积多年的陈年旧怨，也映照出纷繁的市井百态。觥筹交错间，表面的热闹难掩暗流涌动。而最令人心绪难平的，是上次聚会遗留下的那桩“洗手间幽会”谜团。它并未随时间消散，反而如影随形地缠绕至此次重逢。那桩悬而未决的往事，像一道隐秘的裂痕，在推杯换盏的间隙悄然蔓延，成了席间众人目光交汇时心照不宣的焦点，无声地撩拨着猜忌与揣测，为这场本应温馨的重聚蒙上了一层难以言说的疑云。

该剧讲述了龙门和威虎堂七年便要进行比武了却恩怨，龙门派出江淮跟威虎堂的堂主叶惊鸿进行比武，谁料遭人算计叶惊鸿当场去世，养女沈如霜为了给干爹报仇四处寻找龙门后主的消息。

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 入围西宁first电影节纪录片实验室 入围CNEX社会影响力工作坊

该剧讲述了谢玉珍与张永森之间的婚姻悲剧，以及谢玉珍与儿子张子童之间复杂而感人的亲情故事。谢玉珍在婚姻中遭受出轨、赌博和家暴，最终选择离婚，将全部希望寄托在儿子身上。然而，张永森却利用儿子上学的事情，试图榨取谢玉珍的经济价值，导致家庭关系更加紧张。最终，张子童发现了父亲的真面目，三代亲情得以回归。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.