Legendary California music festival (pre-Woodstock) that launched the state-side careers of several performers, most notably Jimi Hendrix. Check out Mama Cass being absolutely blown away while watching Joplin sing. Here there be REAL acid rock.

Still one of the most famous rock festivals of all time, Monterey Pop brought together much of the music that was striking chords with young people all over America- some of the talent that had been obscure or small time in the US (Otis Redding and Jimi Hendrix), while others were huge smash bands (The Who, Simon & Garfunkel, Mamas and the Papas), not to mention a breakthrough performance for Ravi Shankar. With this accompaniment to the feature film, which was released twenty years or so before this, Hendrix and the Experience brought their sound for the first time after being the cult favorites in the UK. It's not a long concert, but it can certainly be counted as one of his most notorious. There were allegations, which perhaps could or could not be true (I haven't read any biographies about the concert, but I heard the rumors), that Hendrix was on acid during the set. Whatever he was on or wasn't on, the songs that come through (filmed with superb documentary detail by DA Pennebaker, with assistance from Albert Maysles) are none-the-less mesmerizing. Aside from what has been played over and over to show the insane magnitude of Hendrix (burning his guitar after a crazed rendition of "Wild Thing"), there's also a turn of "Like a Rolling Stone", "Hey Joe", and a beautiful bit with "The Wind Cries Mary". There could've been more in the way of interviews, but as it is, Jimi Plays Monterey is a fine little companion piece to the film.

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

一部关于奥蒂斯·雷丁在1967年蒙特雷流行音乐节上表演的纪录片

这是一座奇异的小镇，它叫蒙特镇。 眉目传情的恋人，在窗口凝视对方的时候，还是春天。女孩青春靓丽，男孩英俊潇洒。女孩放飞的小鸟寄去了她对男人的思念。男孩接过卡片，上面画着一只红艳艳的玫瑰。男孩下定决心，要为自己心爱的人建造一所玫瑰城堡。然而这短短的一次交汇，却沦入一场要耗尽一生才能追赶上的轮回。男孩兢兢业业地修建这所玫瑰城堡，却没有发现自己居住的房子与女孩越来越远。两人就好像钟表上的时针与分针，渐行渐远。春夏秋冬，多少个四季轮回。当男人终于建造完成这座玫瑰城堡的时候，两人都已两鬓斑白。然而爱是永无止境，就像慢慢合拢的时针与分针一样，总会相逢。

Spanish explorer Hernán Cortés wages a historic battle against the Aztec emperor, dianshiyu.com Montezuma II.

十八岁的女孩格蕾丝·贝内特（塞琳娜·戈麦兹 饰演）终于结束了苦难的高中生活，她和辍学的好友艾玛·帕金斯（凯蒂·卡西迪 饰演）一直都梦想着去巴黎旅…

年轻美丽的阿富汗女孩多尼娅的日子过得并不轻松，她曾为美军担任翻译，如今饱受失眠困扰。她独自居住在弗里蒙特的一栋公寓楼中，邻居大多是和她一样的阿富汗移民。她常常一个人去一家生意萧条的餐厅，一边吃饭一边看肥皂剧。多尼娅在城里的一家幸运饼干工厂工作。一天，老板给她升了职，让她负责在幸运饼干的签纸上写签语，她的生活也随之改变。随着越来越多湾区的陌生人读到她的签语，多尼娅心中有了一个愈发难以克制的念头:向世界传递一条特别的信息——虽然她并不确定这条信息将去往何方。

年轻美丽的阿富汗女孩多尼娅的日子过得并不轻松，她曾为美军担任翻译，如今饱受失眠困扰。她独自居住在弗里蒙特的一栋公寓楼中，邻居大多是和她一样的阿富汗移民。她常常一个人去一家生意萧条的餐厅，一边吃饭一边看肥皂剧。多尼娅在城里的一家幸运饼干工厂工作。一天，老板给她升了职，让她负责在幸运饼干的签纸上写签语，她的生活也随之改变。随着越来越多湾区的陌生人读到她的签语，多尼娅心中有了一个愈发难以克制的念头:向世界传递一条特别的信息——虽然她并不确定这条信息将去往何方。