影片讲述了一位非凡的女性以其坚强力量与尊严成为了社会中坚，并鼓舞着所有认识她的人。 影片基于由Ruben Santiago-Hudson扮演的人物的感人成长故事改编。靠着自己的的亲身经历，Santiago-Hudson开始了孩童时的他在纽约拉克万纳小镇生活成长的故事。在那里，他被Rachel“保姆”Crosby抚养。Rachel竭力为那些生活并非他们所期望的黑人流浪汉提供避难所。保姆和居住的人们以一种常规学校不可能提供的方式教育他成长。影片深情的展现了种严重族隔离时期，黑人辛酸的生活片段。

创业惨败的陈峰妻离子散，以收废品度日，偶然捡到明代官窑瓷瓶开启鉴宝逆袭。古董商赵明远制假害人，屡次设局险些将他打垮。对方勾结首富绑架其女儿胁迫让步，陈峰得友人相助拿到洗钱证据，配合警方将反派伏法。陈峰重建商业帝国，前妻再度出现，女儿的身世真相令人震惊。

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

在底層工作、在街上流連，若生若死的人帶著半睡半醒的夢。作者用影像挖掘香港城市角落的人生百態，那些最混亂幽暗的地方，有著最卑微的生存企求。

影片讲述了一位痛失爱妻的男子，因难以摆脱悲痛情绪，最终不得不离开这个令他伤心之地的故事。

五年前一面之缘，顾深苦寻救命恩人林知夏数年。西餐厅偶遇她相亲被刁难，他主动上前护她。\n不敢坦白过往，只能以朋友相伴。告白在即，误会却逼走林知夏。阔别三年再度相见，他下定决心，这次绝不放手。

“黑豹”查德维克-博斯曼遗作！改编自两次普利策奖得住奥古斯特-威尔逊的同名戏剧和传奇“蓝调之母”玛-雷尼的生平！奥斯卡最佳女配角得主维奥拉-戴维斯…

加拿大新锐导演罗伯特·布德里奥和 《爱在黎明破晓时》男星伊桑·霍克携手合作的《生为蓝调》，跳脱传统传记电影的钻研考究，在虚实互映的构组拼贴中，重现爵士乐手查特·贝克充满传奇色彩的戏剧一生。

Darkside Blues (Japanese: ダークサイド・ブルース, Hepburn: Dākusaido Burūsu) is a manga series by Hideyuki Kikuchi. The story has been adapted into an anime film directed by Yoshimichi Furukawa. The film was originally licensed by Central Park Media and then later licensed by ADV Films. The story involves the town of Kabuki-cho, home of a resistance faction called Messiah. In the futuristic setting, Kabuki-cho is one of the last places of freedom because the Persona Century Corporation has taken control of the majority of the Earth. Kabuki-cho is hence known as "The Dark Side of Tokyo". Furthermore, a mysterious stranger called Darkside appears to protect the citizens of Kabuki-cho.

Clint Eastwood directed and hosted this final segment of the seven-part Blues documentary which was aired on PBS in the United States and then released on DVD. Eastwood has been a longtime fan of the piano and of blues and jazz artists. He once did a movie called "Bird" about jazzman Charlie Parker. Here, Clint sits at the piano next to people like Ray Charles, Dave Brubeck, Marcia Ball, Dr. John and others and interviews them. Most aren't good interviewees and say very little, especially Charles who revealed nothing about himself or his music; absolutely no insight. Brubeck does a beautiful number but its jazz, not blues. Apparently, Eastwood forgot this was a documentary on blues. About half of the material here is more on jazz greats, like Brubeck or Oscar Peterson, Thelonious Monk, Duke Ellington, Nat "King" Cole, etc. The best parts were clips of older and deceased piano greats like Art Tatum, who may be the best of all time, as shown here. He was awesome and I admit I knew little about the man until this episode. Other footage highlights Otis Spann and the Chicago electric blues sound, which is more like it, to blues fans like me. Charles Brown offers some good boogie while Big Joe Turner and Jay McShann, Pinetop Perkins, Pete Jolly, Fats Domino, Professor Longhair and others contribute either live or in footage. Meanwhile, film of a slinky woman in a sequined dress playing some boogie-woogie stuff was a highlight to me, too. Man, she could play and was fun to watch. I'd like to see more of her, or at least find out who she was. (I should have taken notes.). Charles, via old TV tape, concludes this episode with his bluesy version of "America" which still in unique and wonderful.