21世纪末，出现了一种使患者变成巨大昆虫的奇怪疾病“卡伽斯特尔”。“虫子（卡伽斯特尔）”失去理性并袭击了人类。当全世界的人类认识到要“驱除”这些“虫子”的时候，已经有三分之二的世界人口被“虫子”食杀了……卡伽斯特尔爆发30年后的2125年，被旁人称作杀人犯的无情“驱除专家”的青年木藤，在“虫子”的巢穴——“虫笼”附近的黄沙地上发现了一名即将断气的男人。男人将自己的女儿托付给了木藤。那个女孩的名字叫做伊莉。因为父亲的离世而过于悲伤的伊莉呆在原地不肯走动，于是木藤刮了她一巴掌。而这两人的相遇，将改变世界。

一个年轻男子回忆他的童年和希望了解为什么他的生活有是只是这样，和为什么他是不是出生1脆弱的女人“奖法国批评家奖”金摄影机“上第51届戛纳电影节在1998年，在西雅图，在巴黎举行的第十四电影节提名的25节评委会特别奖。

128 min

This one-off stand-up special is a performance of Simon Amstell's stand-up show, 'Numb', which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it's a stripped-down, intimate performance, with no set and minimal lighting - a painfully raw, honest and deeply funny exploration of disconnection and loneliness.

在这部全新单口喜剧特辑中，坦诚而内省的喜剧演员西蒙·阿姆斯特尔敞开心扉，谈论了自己的神经质、向父亲出柜的经历以及情感关系等话题。

Recorded at Vicar Street, Dublin on May 22nd 2010, Do Nothing Live is Simon Amstell’s debut stand up DVD.

暂无剧情简介

曾经秘密地开发了人类隐藏的能力的『蜗牛的庭园』这个邪教教团存在着。可是，被生出了的能力者之一引起叛乱，教团毁灭。能力者们也纷纷散落，只有在教团…

建造于郊外的工厂旧址的巨大集合住宅。最近，女高中生的诡异尸体被发现，难以理解的灵异现象遭到目击等等，种种传闻不绝于耳的地方。搬家到此处的18岁女大学生凛，因一个偶然的契机而遭遇了怪异。对死亡的诅咒感到恐惧的她，在与探查这所建筑物之谜的民俗学者时世，以及咒术师斋恩等人相遇的同时，自己也逐渐逼近怪异的真实面貌。

In 1920, Franz Kafka wrote 120 letters to writer and journalist Milena Jesenská. A love which filled Kafka’s life with light and hope and, at the same time, illuminates his fears and the darkness in him. “Kafka. In Love: the dot says it all, putting a distance between their love (Jesenská was married) and reminding that Kafka’s not-that-long existence and anxious work were about bumping into an unfathomable reality. The dot could also be one of the grains of the splendid sand animation that director Oborenko uses to illustrate Kafka’s shifting emotions as we hear his gut-wrenching letters. Here, sand makes water or fire on screen, replicating the healing and scorching powers of love. Finally, according to Oborenko, “the film explores not just love but also loneliness and the difficulty of loving and accepting oneself”.