三十九岁的保险从业人员胡曼黎 （ 孙俪 饰）在以为自己即将迎接人生巅峰之时，却同时失去了婚姻和工作。竞争对手暗中作梗，胡曼黎惨遭公司开除，而始作俑者竟是二十八岁的薛晓舟 （ 董子健 饰）。胡曼黎在与薛晓舟几番交手后，他们逐渐从误解到相互认同，胡曼黎决定不计前嫌和薛晓舟联手合作，从头再来。薛晓舟成长为保险业界不容小觑的金牌销冠，胡曼黎也决定回归自己的事业主场 。

卡伊拉是演艺圈少见的女摄影师，自由独立，在孟买跟朋友们一起奋斗。在一次国外拍摄过程中她喜欢上了制片人拉古文迪拉，回国后就跟男朋友西德坦白了，随后两人分手。在听到拉古文迪拉要跟前女友合作拍电影的消息，卡伊拉很不高兴，加上被房东赶出来，卡伊拉搬回了父母居住的城市——美丽的果阿。面对一个个困难、卡伊拉战胜不了自己的内心，决定去看心理医生，在那里她遇到了不一样的心理医生贾汉吉尔·汗。看完此片你肯定会露出满意的笑容，好好享受吧。

律师陆维诚嫌弃岳父梁守成寒酸，拒帮讨薪致其病危。妻子苏念看清丈夫冷漠及婆婆羞辱，毅然离婚并独立维权。她摆脱控制，创办工作室实现事业独立，而陆维诚因品行不端跌落底层。最终苏念收获亲情与尊重，陆维诚在悔恨中度过余生，两人从此殊途。

一名疯狂杀人犯告诉警方他只愿意跟一位1980年代虚构的电视节目警探交谈后，当初饰演警探但现在已过气的演员于是粉墨登场。

李察曾是家喻户晓、人人热爱的性感男星，他是1980年代红极一时的侦探影集主角，饰演是一名左眼戴著看穿他人心灵眼罩的英雄侦探；然而25年过去，岁月不饶人，理查名声不再，身材也走样，只是个过气的老演员，再也没有什麽人气作品...但如今一桩连续杀人案却与他曾经有名的侦探角色有了牵连.....

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

《Bravo My Life》讲述了电视台助理导演、准备七年还未能出道的演员，以及在电视台目中无人的绝对掌权者之间的故事。延政勋将在剧中饰演电视剧PD申东宇，郑柔美则将饰演一直未能升职的助理导演河度娜，显祐将在剧中饰演准备7年都未能出道的演员金范宇。

1997, 75 min., colour, BETACAM SP, Stereo The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) Special thanks to Hiroko Kodjima scenario: A. Sokurov camera: A. Fedorov sound: S. Moshkov editor: L. Semenova “My journey to your sorrowful country cannot finish… even here in Russia. I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… The summer was warm… Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… Then, I remember, I turned back, having heard a creak. It seemed she had not yet noticed me… I decided to come nearer. I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” Alexander Sokurov (from the author's text to the film) A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

流浪小猫小橘自幼遭母亲遗弃，艰难求生，还曾被野猫首领咬伤。保安大刘布设陷阱毒害流浪小动物，它救下的幼崽不幸遇害，负伤的小橘被医生救治，在此结识患病男孩豆豆。它终日守候病房，后续坏人恶行败露，小橘的特殊抗原能够救助豆豆，饱经磨难的小猫最终拥有归宿。

流落多年的真千金白芷回到何家，使得假千金何香一夜之间失去所有。何香陷入封魔，绑架了白芷并与其交换容貌，假扮白芷回到未婚夫和母亲身边。而顶着何香脸的白芷，却遭遇到了不属于她的苦难，只祈求真相大白的一天