Motýli tady nezijí (1958) Short

Images of suburban surveillance and violence that push up against the limits of the real. An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment. Shot entirely at night, the film confronts the hermetic nature of white-collar communities, dissecting the fear behind contemporary suburban design. An isolation-based fear (protect us from people not like us). A fear of irregularity (eat at McDonalds, you know what to expect). A fear of thought (turn on the television). A fear of self (don’t stop moving). By examining evacuated suburban and corporate landscapes, the film reveals a peculiarly 21st century hollowness… an emptiness born of our collective faith in safety and technology. This is a new genre of horror movie, attempting suburban locations as states of mind. Original electronic music by Kevin Drumm. ——SMz

这部雄心勃勃的电影挑战了关于学校是为了学习还是为了盈利的永恒争论。一位现实生活中的教师指导他的学生演绎当今教育的现实。

在脱衣舞俱乐部轮班时，一对已婚夫妇要求维琪当他们的女友，这让维琪的焦虑感再度袭来。她搞不清是自己脑海中的声音作祟，还是这对陌生夫妇正将她引入危险陷阱。这部心理惊悚短片，讲述了一个女人在自己的人生道路上探寻确定性的困扰旅程。

该剧讲述了隐藏在神秘面纱之下的国际非营利民间团体NGO的故事。

纳粹占领荷兰期间，一对夫妇在家中收留了一名犹太香水销售员。与陌生人同住给他们的生活带来了意想不到的后果。

讲述身处不同时空的一男一女，因一场雨而相遇的奇幻故事。

Five film students are producing a documentary about the local zoo when suddenly the animals go berserk: The reason is a light ball flying by in the sky and crashing at the horizon. Convinced that they've just witnessed a meteor landing the students follow the trajectory to document the event with their camera. In a forest area they discover a burned crater. Since it's too dark to film they decide to spend the night in their van. The next morning one of them is missing. The remaining students find first a trail of blood and then the torn up pieces of what used to be their friend. Soon they realize that something is hunting them - something that's not from this world.

尤尔加和托马斯满怀期待，开车去孤儿院见准备收养的6岁小姑娘。到了那里，他们却发现闹了个乌龙：迎接他们的是一个 12岁的男孩萨沙。孤儿院院长要夫妇俩要么和萨沙在一起待一天，要么永远失去领养女孩的机会。没有征得丈夫托马斯的同意，尤尔加选择了前者。这一天对尤尔加变得异常艰难——这个小男孩萨沙不仅说脏话、偷东西，还抽烟。托马斯还拒绝跟尤尔加说话。渐渐地，萨沙似乎也知道自己不会被收养了。尤尔加答应带他去游乐园玩。当这一天即将结束时，故事里的三个主人公似乎都对于什么是“一家人”有了新的理解。