Stuck in the minutia of life Joe Franek, a Boston-bred baggage handler, fears he'll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount. When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammad Atta and destined for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure. Franek's world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chaotic airport is locked down. Tortured by his careless actions, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.

京敏（Gyeongmin）在老板告知一个项目出问题后，匆忙赶去上班。就在她正要上车时，发现另一辆车的后备箱开着。她走上前去查看，随后便卷入了一件重大事件中。

A pick-up truck driver leaves Kathmandu airport for a two-day drive with a delivery arriving from abroad to a remote mountain village. On the high road, a solitary figure slowly makes his way, wheeling a small red suitcase toward the same village.

SIGNERS KOFFER is a kind of road movie across Europa. From the Siviss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. "Simple" poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.

海外项目出发当天，许棠被何芸要求用个人额度托运“资料箱”，弹幕预警箱内藏金、举报顶替。何芸发动项目群网暴、威胁取消许棠资格，许棠则用录音、录像、家庭视频支招等方式步步为营，并叫来机场工作人员介入。监查开箱现黄金，举报电话因箱子未挂许棠名下而落空。何芸与孟乔互咬自爆内幕，被带走调查。许棠名额未受影响。孟家砸钱被拒，邵建明灰链被端，何芸旧案翻出。许棠完成项目获最高分，升任主管回国。

海外项目出发当日，女子被同行者要求用个人额度托运资料箱，弹幕提示箱内藏有黄金，还存在顶替问题。对方煽动群内网暴、威胁取消她的项目资格。她留存音视频证据，呼叫机场人员到场开箱核验。同行人内讧自爆被带走调查。女子保住项目名额，顺利完成任务高分晋升回国，相关灰色链条也被打掉。

“行李箱秀”指一路收纳展开的流动展演。而本片则是乔纳森·戴米对尼尔·扬音乐灵魂与精神世界的呈现。扬伫立舞台，周身环绕私藏标志物；独坐圆心，被挚爱的木吉他环抱；与杰出乐手本·基思、拉尔夫·莫利纳、瑞克·罗萨斯、佩吉·扬、安东尼·“甜豆”·克劳福德并肩演绎，更有埃里克·约翰逊扮演的现场画家挥洒色彩。这里有《悲伤电影》《墨西哥》般细腻铺陈的原声音律；有直抵艺术家心魂的迷幻电气漫游（《无藏之路》）；有《像飓风一样》《肉桂女孩》那样炽烈酣畅的摇滚 anthem；更罕现《堪萨斯》《救护车蓝调》等曲目，隐约透出扬鲜为人知的艺术侧影。本片混合录像与胶片拍摄，多采用手持镜头，以令人屏息的亲密视角呈现尼尔·扬演出的动感实境。通过大量极具临场感的长镜头，观众将沉浸式体验扬如何逐曲袒露心扉，又以炽烈奔放的摇滚力量将一切席卷而空。[Fortissimo Films]

An experimental film about the experience and representation of women, using different narrative methods.

季凯铮以婉柠带孩子不便为由，带婉柠及其孩子小鹏出门游玩，将自己的亲生女儿汐汐塞进行李箱，汐汐在箱内难受呼喊，妈妈沈知岚察觉异常后多次打电话，季凯铮却指责沈知岚是控制狂，不愿理会，沈知岚听到汐汐的求救声后心急如焚，决心要救出被困在行李箱里的女儿。

季凯铮以婉柠带孩子不便为由，带婉柠及其孩子小鹏出门游玩，将自己的亲生女儿汐汐塞进行李箱，汐汐在箱内难受呼喊，妈妈沈知岚察觉异常后多次打电话，季凯铮却指责沈知岚是控制狂，不愿理会，沈知岚听到汐汐的求救声后心急如焚，决心要救出被困在行李箱里的女儿。