举报别人易，举报自己难。影片讲述的是一个让上司拉下水的受贿者，在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。

该剧改编自同名漫画，主人公市川詠子（森川葵 饰）在总务部门工作，平时虽然认真工作却没有得到好评，但一次小小的失误却遭到了严厉批评。失落的她吐槽说：“我想被夸赞……”，这引起了前辈坂东（川崎鹰也 饰）的关注，从而开始了“夸赞日常”。两人间的“夸赞”与“被夸赞”的互动，给公司和部门带来了许多奇迹。

该剧改编自同名漫画，主人公市川詠子（森川葵 饰）在总务部门工作，平时虽然认真工作却没有得到好评，但一次小小的失误却遭到了严厉批评。失落的她吐槽说：“我想被夸赞……”，这引起了前辈坂东（川崎鹰也 饰）的关注，从而开始了“夸赞日常”。两人间的“夸赞”与“被夸赞”的互动，给公司和部门带来了许多奇迹。

Award-winning Irish actor Gabriel Byrne explores the life, works and passions of George Bernard Shaw, a giant of world literature, and - like Byrne - an emigrant Irishman with the outsider's ability to observe, needle and puncture. 　　With Ireland in his heart, he made England his home and London his stage. His insight was ageless - his ideas still resonate almost 70 years after his death. He is one of only two people to have ever been awarded both the Nobel Prize for Literature and an Oscar. 　　Gabriel Byrne sees Shaw as a revolutionary - a literary anarchist. Sharing Shaw's perspective as an 'artistic exile', Byrne explores Shaw's radical and unapologetic political thinking, and his unwavering ability to charm and satirise the establishment that so adored him. It is the story of the most relevant thinker, artist and literary genius Ireland ever produced.

本片根据艾德加·赖斯·巴勒斯的小说改编而成。讲述的是第一次世界大战期间，一艘德国潜艇在撞沉一艘英国人的船以后，救起了幸存者。但是这艘潜艇开错了方向，将这些幸存者带到了一片未知的土地上。那里，栖息着大量的恐龙和穴居人。他们能顺利地重返家园吗？

杨芸昕和林野是一对90年代的幸福情侣，即将结婚。可杨芸昕不幸被诊断出脑癌，以当时的技术无法治愈。唯一的办法是进行冬眠，以期未来找到治疗方案。男友林野答应会一直等她醒来，她才下定决心，两人相约未来见……

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

An exhibition can also be a space for creation and production. The desire to be able to make a very short film inspired by the vision of feminine hair soon took root in some filmmakers' minds. As part of the logic of this exhibition, the Cinémathèque française wanted these films to come from countries and cultures which took a different stance on feminine hair. This game was therefore proposed to six filmmakers appreciated for their tone, their creative freedom and of course, their films. They all jumped enthusiastically at the idea. 　　Isild Le Besco (born in 1982), an actress since childhood, began producing in 2003. Having inspired the filmmaker Benoît Jacquot (she was awarded the best actress prize at the Venice Mostra for Intouchable [Untouchable]), she has frequently performed the lover's role, often passionate, always sensual and natural. For the exhibition she signs Bette Davis 　　Isild Le Besco - Bette Davis - 2010 　　. 　　Yousry Nasrallah (born in 1952) was first the assistant of Youssef Chahine. He produced his first feature film in 1988. In his films on Egyptian society, in particular with Femmes du Caire [Women of Cairo] he describes the relationships between men and women in a country where the rise of fundamentalism is transforming the position of both sexes. For the exhibition, he signs Objet trouvé sur un tournage [Object found during a shoot]. 　　Pablo Trapero (born in 1971) belongs to the Argentine "New Wave" movement. An independent and committed filmmaker, he has always worked with his wife Martina Gusman, a producer who for some years has acted in front of his camera. For the exhibition, he signs Rumor. 　　Nobuhiro Suwa (born in 1960) began his career in the cinema as assistant producer, then as documentarist for Japanese television. In 1997 he produced his first film which, like all the ones which followed, swung between fiction and documentary. For the exhibition, he signs Les Cheveux noirs [Black Hair]. 　　Abbas Kiarostami (born in 1940) takes an often contemplative and reflective look at Iran and his contemporaries. He observes the world of childhood, a woman's place in a country where the political and the religious rub shoulders, but above all he queries the cinema itself. For the exhibition, he signs No. 　　Abderrahmane Sissako (born in 1961) engages in a dialogue with the contemporary history of the African continent. Through his films, the Mauritanian filmmaker and producer subtly reveals hidden truths, in particular by imagining an improbable trial between civil society and the IMF in Bamako (2006), a veritable plea for a sovereign Africa. For the exhibition he signs Ni brune ni blonde [Neither Brunette nor Blonde].

「なんで誰も、本当の世界を覚えていないんだ……！」 　　地上の覇権を争う五種族の大戦が、人類の勝利に終わった時代。 　　だがその世界は、少年カイの目の前で突如として「上書き」された。 　　パラレルワールドのような世界でカイが見たのは、 　　歴史が改ざんされ、人類が大戦に敗れた光景―― 　　ここでは竜や悪魔が地上を支配し、さらに 　　カイは全ての人間から忘れられた存在になっていた。 　　だが神秘の少女リンネと出会い、カイは英雄なき世界で、 　　英雄の剣を継承し、君臨する強大な敵種族に戦いを挑む。 　　世界から忘れられた少年が「真の世界を取り戻す」 　　王道ファンタジーバトル、開幕！