以记忆与直觉为武器，在人群中找出通缉犯的“推测搜查员”沉迷调查案件，不觉间走进警察机构黑暗内部的故事。

改遍自Jeff Hobbs的传记作品《The Short and Tragic Life of Robert Peace》 这本书的主人公是一个新泽西州纽瓦克贫民窟里长大的男孩子，名叫罗伯特皮斯。他被耶鲁大学生物学专业录取，却在三十岁的时候，在贩毒帮派的斗殴中暴死街头。故事以罗伯特的耶鲁室友为叙述者，以旁观者的角度讲述了这个看似从原生阶级逆袭，而依然无法逃离悲剧命运的故事。 The story of an inner-city Newark kid who attends Yale yet ultimately suc cumbs to harsh economic realities and the demons of his past.

Austrian Toni Sponer (Donald Buka) drives the cab of his benefactor Heinth without a license (he can't get one because of a criminal record in petty crimes), and because he has no passport the trapped Toni can't get out of Vienna--something he wants to desperately do. On New Year's Eve, he can't sober up the drunken Heinth and so Toni's forced into working his shift. Toni picks up a wealthy American businessman, Jack Mortimer, at the Westbahnhof train station and while he goes inside the station for his bags, his fare gets popped. Not wanting to identify himself to the police and thereby go to jail for driving illegally and have Heinth lose his cab, Toni tries to report his fare's death anonymously by phone. After that failure, he decides that this is his best chance to escape, and steals Mortimer's identity by taking his passport. Problems arise when Mortimer, who was planning to fly to the States with Karen Manelli (Joan Camden), the unhappy wife of the renown pianist Claude Manelli (Francis Lederer), is concerned when she goes to meet Mortimer at the hotel as arranged and there's a stranger there instead using his name. The wife immediately suspects something fishy and reports it to the police. They arrest Mortimer on suspicion of identity theft, but Claude identifies him as the real Mortimer and Claude should know since Mortimer was best man at his wedding. Claude explains to the gullible police that his wife has a history of mental illness and is always making up stories. Karen is now convinced Claude murdered Mortimer, but still can't understand the stranger's connection and arranges to meet him in a theater. Their meeting clears up Toni's reasons for running away and Karen explains how she has been kept on a chain by her possessive and imperious hubby and how she is watched closely by his oily manager Kruger (Egon Von Jordan) to make sure she doesn't run away. Returning together to Toni's place, they drink a New Year's toast with Toni's loyal friend Marie, a possible girlfriend, and both plan to escape together to the States. At the airport Claude is waiting for them with the police, and gives Mortimer the choice of getting on the plane alone and getting away with stealing Mortimer's identity or getting arrested for his murder. At first Toni decides to take the plane, but turns back and has the cops arrest him and convinces them to arrest Claude for the murder. Karen tells Toni she will wait for him when he gets out of his expected small jail sentence.

全世界都知道关于犹太儿童的悲惨命运从特莱西恩施塔，儿童利迪策的悲剧，但数以千计的混合捷克和德国家庭的儿童，在占领期间鲜为人知的悲剧。谁在他的著作中描述的“儿童在监狱里，一个男孩的真实故事”作家Yozha Mikula。法庭由他的母亲去世后，他被送往德国的孩子回家，以接受德国化。方法使用其prietom -不人道的待遇，从自己造成心理和生理上的痛苦。：最近我摆在我们的电影，“在黑暗的森林咕咕”的主题共同http://blizzardkid.net/forum/viewtopic.php?f=23&t = 581＆开始= 390＃p107083当然，在苏联的纳粹暴行是很难比较他们的行为在捷克共和国，以及迫使德国化的恐怖可以不被浓度营地和大规模处决的恐怖相比。但都是相同的，在影片-犯罪。主角往往是在医院休息后，“教育过程”。

1891年在布拉格，五个男孩在参观科学技术博览会时，无畏地登上了一个可以操控的飞船，开始在空中遨游。任何追捕的人都无法抓到他们。他们从欧洲一直飞到大洋洲。突然一阵台风完全摧毁了飞船，男孩们被冲到了一个无名的小岛……他们在那里像罗宾逊那样生活，并发现了传说的尼莫船长的洞穴，他们将遇到一群冒险家。

弗里多林·比德曼（Fridolin Biederman）丢了钱包。当罪犯马克斯·维雷格（Max Viereg）捡到钱包后，他干脆冒用了比德曼的身份，甚至还以这个名字结了婚。当真正的比德曼打算结婚时，他才得知自己因重婚罪被通缉。于是，一场绝望的寻找冒名者的行动开始了。然而，即使维雷格死了，麻烦仍未……

两个叙述者，一个看得见另一个看不见，他们在讨论着一系列油画之间可能存在的联系。画面中的叙述者在三维空间重新展现每一幅油画的创造过程，画中不时伴有真人在移动，努力地在解说着这些油画的重要之处。

You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people. 源自：https://iffr.com/en/iffr/2023/films/faces-of-anne

卡洛塔连自己的脸都认不出来。她是所有负责面部识别的大脑部分不能正常工作的人中的1%之一。《迷失在脸上》穿越卡洛塔的宇宙，充满了拟人化的动物、清晰的梦境和坎坷的错误道路。这部电影剥去了她迷人的，独特的解决方案，她使用能够加入人类一致性的大众，直到她有一天决定建造一艘船，离开她的人类同胞。她对答案的无休止的探索使她走向艺术，从而成为一条通向她自己的脸和回归人性的大道。