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伊戈尔·克列姆涅夫——俄罗斯情报局特工人员。最近以来，他在哥伦比亚的行动连续失败，他所指挥的人员全部牺牲。人们纷纷指责克列姆涅夫的这一悲剧事件…

1979年初，我军对越南展开自卫反击战。农南虎（李世玺 饰）放弃上大学的机会，毅然奔赴前线，成为编号008坦克的驾驶员。南虎的女友田静（李岚 饰）刚从医学院毕业，也报名上了前线，并与南虎意外重逢。008坦克是装甲连的尖刀车，南虎不孚众望，勇往直前，在全车战友的配合下，他们抢占了敌必经之要冲——堪松隧道。越军察觉我意图后，用凶猛的炮火轰击我坦克阵地，008战车沉着应战，战斗中，车长和另外两名战友分别牺牲和负伤，车内只剩下南虎和田静。杀敌致果的南虎把田静推出车外，只身驾驶铁甲冲向敌坦克，壮烈殉国。田静强忍悲痛，与敌周旋至增援部队到达......

Jackson's Wharf was a New Zealand television series created by Gavin Strawhan and Rachel Lang. Set in a fictional coastal town, the series told the story of a sibling rivalry between brothers Frank, the town cop, and Ben Jackson, a big-town lawyer. After inheriting the local pub from his recently deceased father, Ben returns to the small town with his family, with his arrival bringing its fair sheer of drama and conflict to the small township.

暂无剧情简介

"This story takes place early in the 21st century. The countries of the world have combined their technologies and resources in a fantastic cooperative effort to change Winter into Spring. " - Opening Narration. A 1970 New Years TV Film based on the Aerial City 008 Puppet show on NHK.

曾经能横扫一片敌手的金牌特工008，却落寞于市井之间，蛰伏八年终接到任务。一连串奇葩事故频出：情变、敌变、境变，特工能否化险为夷，虎口脱险？

他是一代帝师，他身背剑匣，行走天下，却意外卷入到一场巨大的阴谋之中。他从一个大排档的意外冲突开始，逐渐揭开了一个涉及财阀家族、权力斗争和深层秘密的复杂谜团。身处权力和欲望的漩涡，白玉京必须运用他的智慧和武力，对抗来自各方的威胁和背叛……

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.