Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film “The Pain of Others” by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.

In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film “The Pain of Others” by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.

Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger. 　　Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. 　　The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger. 　　The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing. 　　Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.

JTBC于2017年秋季将有一档新综艺：《전체관람가》（《全体可观看》）。以介绍韩国最佳电影导演们制作短篇电影的过程。短篇电影专家歌手尹钟信、短篇导演…

Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger. 　　Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. 　　The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger. 　　The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing. 　　Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.

《全体观众》是讲述电影导演们短篇电影制作记的真人秀节目，于2017年在JTBC首播，一时成为话题。而将制作成TVING原创系列的《全体观众+:短片》将重新诞生为最近作为主流的OTT平台中的最佳内容。《全体观众+:短片》由卢洪哲、尹钟信、文素利一起担任节目主持人。3名MC以电影制作者的世界观和概念参与其中。 计划设立以各自名字命名的「弘信所制片公司」，尹钟信本部长、文素利制作理事、卢洪哲制作室长，帮助8位导演制作8部短篇电影。

Description: Filmed mostly in his country home in 1965, ROBERT BRESSON - WITHOUT A TRACE is a revealing discussion with Bresson. Bresson at this time had completed six of his most well known films and was in the process of shooting Au Hasard Balthazar. 　　Usually a man of few words, having never before granted an interview on camera, Bresson agreed to answer the questions of a then-unknown writer François Weyergans, for the Cineaste de Notre Temps series. 　　Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking. 　　Incorporating clips from several of his films, and with a new introduction by Weyergans today, ROBERT BRESSON - WITHOUT A TRACE is a unique historical record that provides unparalleled insight into the work and ideas of Robert Bresson. 　　"Recommended. Robert Bresson is the most under-rated of the major French film directors. [WITHOUT A TRACE] is the only filmed interview granted by this elusive director. Bresson's comments on varied subjects (Matisse, Cezanne, Pascal, Dostoevsky, cinema vs. theatre, actors vs. protagonists, cinema music, etc.) are pithy, rapid fire, and always entertaining and interesting. This is an important documentary for the study of French films... A valuable addition to comprehensive college film collections."-Educational Media Reviews Online 　　"In a face-to-face interview with Bresson, the viewer gets an insight on the director's style of filmmaking, his philosophy and other pleasantries such as his living conditions in Paris. A number of excellent film clips from "Pickpocket" and "The Trial of Joan of Arc" round out this important film in the CINEMA, OF OUR TIME series."-Historical Media Review