哥斯人为了让自己星球的人手越来越多，不断派出怪兽捕捉人类，善良种族安莫论人将S等级的武器机器人詹伯A交给了立花直树，不久后詹伯A二号詹伯奈也被立花直树拿到，他击败了很多怪兽，最后在月球之战时打败了哥斯人大元帅党们可儿，迎来了长久的和平时光。詹伯A与奥特曼相似，可却不属于奥特曼，与奥特曼无半点关系。

日本的“巨霸格A”（ジャンボーグA）和泰国的“鐘寺巨人”（ジャイアント）共同对抗怪兽，拯救地球。

法国人查理•西蒙（Philippe Torreton 饰）独自一人驱车来到中亚边境，车子故障后，他弃车而行。在一家夜总会他与一群年轻人度过狂乱之夜，护照和欧元都在酒醉时分赠与他人。次日，独自上路孑然一身的查理被警察当作间谍拘捕，一番波折后得到释放，他却拒绝补办护照，仍继续无尽的旅程。 在路上，查理遇见了专门收集和贩卖词语的萨满人，也邂逅了美丽善良的女教师乌尔詹（Ayanat Ksenbai 饰），他们和查理结伴而行，一同完成这荡涤灵魂的朝圣之旅……

勇敢的热血好青年立花直树从安莫伦星人处得到威力无穷的机器人JUMBOG A和JUMBOG9，并和保卫地球的PAT队一起同妄图侵略地球的哥斯军団战斗。 詹伯格艾斯不属于奥特曼系列，是圆谷公司的特摄作品，与奥特曼的任何一世界观没有任何联系。

以单元剧的形式集青春偶像悬疑推理爱情等一体，侦探詹天远（俞灏明饰）和伙伴们在调查一系列错综复杂的案件过程中，抽丝剥茧，将真相大白于天下。

暂无剧情简介

帕尔图·詹瓦尔（Palthu Janwar）对人类和家畜之间的关系有着令人耳目一新的看法。这部电影描述了普拉松的生活，他是一名专业的动画师，父亲去世后，他被迫以一名富有同情心的任命担任兽医家畜检查员的政府职务，对此他毫无兴趣。这部电影带我们经历了在他的工作场所等待着普拉松的充满乐趣的事件。

一位伦敦分析师返回奥迪沙寻找失踪的父亲。她的追求导致了一场由国际关系秘密支持的铝土矿开采阴谋，导致不明原因的死亡和流离失所的社区。

他来啦！他来啦！ 他怀揣着满满的诚意， 朝我们走来啦！[心] 詹俊欧洲杯脱口秀《“詹”前顾后》， 为你深入剖析、细致解读。 欧洲杯比赛日中午更新， 前瞻评述焦点内容， 复盘解读赛事精华， 尽在《“詹”前顾后》！

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. ''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. Philippine Glimpses