Gardener Donald spots bees in his garden and follows them back to the hive in search of honey. The bee guarding the hive won't let him in, so Donald disguises himself as a bee.

The creation of a truly memorable movie character is a complex process: it’s not simply a case of having a great script or a talented actor; equal attention must be paid to the world in which the character finds himself and the other figures he comes into contact, and often conflict, with. Garda Sergeant Gerry Boyle, the hero of writer-director John Michael McDonagh’s debut feature ‘The Guard’, is a spectacular creation: a drug-sniffing, booze-swigging, blarney-spouting iconoclast with an eye for the ladies, an exhaustive knowledge of literature, film and the arts and a penchant for infuriating the higher-ups at every conceivable opportunity. But the devil is in the details. So while McDonagh has created an unforgettable central figure, and Brendan Gleeson has responded with a towering, Oscar-worthy performance, the rest of the film struggles to rise to the occasion. The plot is familiar buddy movie fare – when a murder takes place in Boyle’s sleepy Connemara village, he soon pinpoints the perpetrators as a gang of ruthless international drug smugglers, but the powers that be have assigned a by-the-book FBI agent (Don Cheadle) to the case. The usual fish-out-of-water shenanigans ensue, but eventually these two proud policemen reach an understanding. There’s an enormous amount to enjoy in ‘The Guard’: McDonagh’s script crackles with memorable one-liners, the rapport between Gleeson and Cheadle is note-perfect and the film’s observations on small-town life are piercing and often hilarious. So it’s frustrating when, after a flawless first act, the script begins to wander off the point: Cheadle is kept off screen for far too long while we spend time in the company of Mark Strong and his band of overwritten, philosophy-spouting Tarantino-esque crooks and Boyle is sidetracked by a vague, unsatisfying flirtation with a murdered colleague’s wife. The cast is studded with solid supporting performances from the likes of Strong, Fionnula Flanagan and Irish comedy icon Pat Shortt, but sometimes there are too many side characters to keep track of. McDonagh’s direction has flashes of brilliance – the savage, sadistically funny opening scene is one for the ages.

米哈伊尔 - 察列夫是特种部队成员，人生阅历丰富。在他父亲的周年纪念日前夕，他返回家中与家人一同庆祝。他的父母是备受尊敬的官员，负责俄罗斯警卫局的地方部门。聚会期间，有人试图以腐败嫌疑逮捕他父亲。儿子大为震惊，坚信父亲的清白。他抗拒逮捕，甚至与那些身着制服的不速之客发生冲突，对方费了一番功夫才让他平静下来。调查员尤利娅认定老察列夫以敲诈勒索的手段祸害了整个小镇。米沙打算为亲戚洗清罪名，对整个事件展开彻底调查，可却面临着一个难题……@游目骋观影

讲述一个男人在豪宅里和一只挠人的蜜蜂的故事。

公元2030年，在一群天才科学家的带领下，生物工程学取得了极大突破，但所有新技术都会很快转化为军用，导致新一代军备竞争的开始。“尖兵”作为本时代生物工程学的最高成就、最尖端的武器，被广泛运用其中。虽然尖兵有着常人所不能及的战斗力，但由于纳米机器会透支生命，大部分尖兵在一定年限后，都会提前退役。 女主角琉璃在长久执行任务之后，她的生命也被严重透支。最后只剩下380天生命的琉璃，接到了一个新的任务——去一个平民设施中解救人质。 对于只会杀戮和战斗的她来说，这无疑是艰难的，但服从命令的她，依然执行了这个任务。 在这次行动中，她意外发现劫持人质的老大，居然是曾经的尖兵。一直喊着让政府交出“伊甸之子”的前尖兵周忠戎，让同为尖兵的琉璃充满了鄙视。为了解决这个尖兵中的败类，两个尖兵之间的战斗，就此展开……

某个阳光明媚的日子里，快乐的布鲁托正在中心公园的花丛中玩皮球。一个不小心，皮球飞出了院子外，他连忙追了出去，却被口香糖的罐子绊了一跤。布鲁托闻到了口香糖的阵阵香气，口水顺势流下。眼看四下无人，坏主意悄然在心头浮起。他试图摇晃罐子弄出口香糖，只不过没有成功。就在这时，一只小蜜蜂哼着优美的曲调飞了过来。小家伙有小家伙的办法，只见它三鼓捣两鼓捣，就弄出一颗口香糖糖球出来，然后费力地运回自己的窝。布鲁托呢，则偷偷摸摸跟在蜜蜂身后，趁小家伙离开后弄烂了对方的窝，里面竟然存了许多的口香糖啊！ 布鲁托太高兴了，当然他也要为此付出代价……

在佛罗里达西北部的一个小镇，蜜蜂开始死亡，尸体越积越多。当地验尸官不得不与多年前在婚礼上抛弃她的养蜂人合作，共同揭开这一致命谜团。

江野依靠祖传采血翎蜂技艺年入千万。堂哥带着资本、高科技设备进山，想要取而代之，当众肆意羞辱江野。江野假意退让，悄然拔下山中定风桩。翌日狂风突袭，机械设备坠落悬崖，网红身陷险境。江野联合老友依靠传统土法出手救人，令信奉科技的众人敬畏自然山林。面对一波波觊觎山林资源的掠夺者，江野凭借祖传手艺、过人智谋与一身傲骨守护山林根基，守住金钱与科技无法夺走的匠人脊梁。

彼得（由马修·戈登饰演）是一个患有社交恐惧症的年轻人，他唯一的任务是穿过英格兰乡村，接送九岁的邻居小孩放学回家。然而，当他与一位年迈的观鸟者成为朋友后，彼得发现自己陷入了一个难以解开的心结……