败家子孙浩宇想不劳而获，竟伙同苏雨柔策划连环局想要套取母亲的财产。身为集团总裁的母亲王秀琴，在灵堂中识破两人的算计，与儿媳林若姚联手将计就计，当场揭穿所有谎言。最终，孙浩宇罪行败露后被自食恶果。一场关于清醒与反击的故事，见证了一位母亲兼总裁用智慧与果敢守护家庭、捍卫正义的硬核力量。

认贼做父：八年前，林洋被设计入狱，怀孕的妻子被敌人雷霆当面玩弄至死。八年后，林洋终于出狱，却发现仇人雷霆之子的老婆在监狱门口等待自己，两个同样带着仇恨的人展开了一场合作，在相互配合下，林洋整容成了仇人之子，不断接近雷霆，最终大仇得报。

女主江秀芬和前夫离婚后，为了三个女儿留在高家做保姆十八年，却在发现她们的后妈帮着情夫偷东西后反被诬陷，被三个女儿赶出家门，被后妈和情夫两人撞死。重生归来，江秀芬决定为自己活，离开高家努力赚钱，三个女儿却渐渐知道了亲妈为她们做的一切，前夫也被小三和情夫害的瘫痪后知错，几人向女主认错求她回高家，江秀芬终于决定出手帮他们解决危机，小三和情夫最终受到惩罚。

江秀芬与前夫离婚后，为了三个女儿，在高家做了十八年保姆。一次，她发现女儿们的后妈伙同情夫偷东西，出面阻止却反遭诬陷，竟被三个女儿赶出家门，还被后妈和情夫撞死。意外重生后，江秀芬决心为自己而活，毅然离开高家，努力打拼赚钱。日子渐好，三个女儿却慢慢知晓亲妈这些年的付出。此时，前夫也被小三和情夫害得瘫痪，终于悔悟。几人向江秀芬认错，求她回高家。

通过一场贯穿全剧的车祸展开，讲述了男主纪深远跟小女孩小饺子之间的恩怨纠葛

《认他做父》是一部聚焦殡葬师男主纪深远关于亲情友情爱情的情感剧，一个因母亲去世而怨恨父亲的纨绔子弟在一场意外的车祸中救下了象征绿帽子的小孽种小饺子，本应彼此怨恨的一大一小二人却意外的相处在了一起，纪深远更是在拥有预知人生死能力的小饺子的帮助下粉碎了恶毒后妈争家产的阴谋，也在小饺子的帮助下成为了一名殡葬师，并且成功将恶毒后妈赶出了纪家为母复仇，并在爱与恶毒后妈的屡次报复下最终收获了友情爱情和亲情的故事。

前世，云枕月是天命真龙选定的饲主、大夏最受宠的长公主，却因皇妹云昭阳偷换龙蛋、栽赃陷害，被父皇亲手剜心而死。重生归来，她冷眼看着那条本该属于自己的真龙亲昵依偎在仇人膝下，唤其“母后”。既然天道不公，龙族背誓，亲人成仇——她便亲手撕碎这虚伪盛世！以魔血饲龙，以仇骨铸阶，屠尽负我之人，弑神登混沌之巅。这一世，她不要龙，不要国，只要他们跪着看她如何从地狱归来，焚天证道！

前世沈清辞救人被顶替、惨死渣男剑下，重生归来她不再纠缠错恋，主动斩断孽缘、拒嫁忘恩负义的知州萧玦，当众择嫁微服查案的当朝太子，最终揭穿伪善白月光的骗局、虐翻渣男，被太子独宠护一世、逆袭登顶。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......