某地的烂尾楼在深夜发⽣了⼀起爆炸，究竟是天灾还是⼈祸？记者找到了三 　　个⽬击者，让我们来听听他们的说辞……

影片讲述了刚刚失去工作的外卖小哥方圆,被醉酒的网红老板路有财误认为是代驾,阴差阳错地把豪开到了陌生小销,被迫开启的一段啼笑皆非的“养途。手机丢失、身无分文的二人在三天时间里,一起争吵、推车、蹭饭、搓澡打工、嬉笑,最终实现相互心灵救赎。

影片讲述了刚刚失去工作的外卖小哥方圆，被醉酒的网红老板路有财误认为是代驾，阴差阳错地把豪开到了陌生小镇，被迫开启的一段啼笑皆非的“囧途”。手机丢失、身无分文的二人在三天时间里，一起争吵、推车、蹭饭、搓澡、打工、嬉笑，最终实现相互心灵救赎。

影片讲述了刚刚失去工作的外卖小哥方圆,被醉酒的网红老板路有财误认为是代驾,阴差阳错地把豪开到了陌生小销,被迫开启的一段啼笑皆非的“养途。手机丢失、身无分文的二人在三天时间里,一起争吵、推车、蹭饭、搓澡打工、嬉笑,最终实现相互心灵救赎。

在青玄山快乐修炼的姜宜忽然被师傅告知自己已有婚约，让他下山去找人阴阳互补，迷迷糊糊的姜宜一下山就落到了傅成焱怀里，身患绝症的傅成焱以为姜宜又是别人找来给她生孩子的，嫌弃的赶姜宜离开，但是姜宜拿出了婚书后，傅老夫人逼着傅成焱和姜宜领了证。

蕾娜在震惊全国的军人自杀新闻下面的留言引起诸多网民的愤怒，一瞬间成为话题人物。警察志愿生智雄（卞耀汉）和勇民（李柱承）参与了网络直播的现P远程队…

该片讲述的是准备警察考试的“志雄”和“勇民”参加了一场SNS上组织的“魔女狩猎”活动，追查到在网上恶性留言的女孩的真实身份，并用实时网络直播的方式前往女孩家中，却没想到女孩已经死在家里，而且不知道是自杀还是他杀。“志雄”受到怀疑，前途不明，不得不开始追查事件幕后真相。

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

"Patient's Mind" is a multi screen experimental animation using circular narration. 　　The metaphor of doctor-patient relationship is used in the work, which shows the process of the protagonist's inner self and superego, the fight for the subject right between the present and the "preset future", and the endless cycle between the present and the "preset future" in the doomed failure of self salvation. 　　In the narrative, the whole story is divided into five parts and placed on five screens. 　　Make the content of five screens form a big cycle in narration, and the content of a single screen form a small cycle in editing, and make the five screens have relevance according to different clues in content.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.