http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

本片聚焦于距正式演出仅剩四天的剧场排练场。四位临时集结的女演员在导演与指导缺席的异常封闭空间内，被迫围绕一部仅有30页未完结的剧本展开激烈排练。半纪录片风格赤裸展现她们各自背负着迫切现实困境的内心挣扎，而这场赌上演艺生涯的正式演出当日，暗藏着一项特殊机关。

本片聚焦于距正式演出仅剩四天的剧场排练场。四位临时集结的女演员在导演与指导缺席的异常封闭空间内，被迫围绕一部仅有30页未完结的剧本展开激烈排练。半纪录片风格赤裸展现她们各自背负着迫切现实困境的内心挣扎，而这场赌上演艺生涯的正式演出当日，暗藏着一项特殊机关。

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

拍摄学生作业的小李和小郑带着炸药上了地铁，目的地：地坛。荒诞的一切正在形成对比：万事落空又好像没有落空，宛如地上泄气的塑料烂气球。

节目选取全世界多个国家的“旅外”大熊猫，生动还原它们的海外生活经历，讲述中国与世界各国以熊猫为媒开展科研合作与情感交流的故事。