A newspaper publisher listens to the personal tapes of investigative reporter David Norliss (Roy Thinnes), who has disappeared during an investigation. The tapes tell the story of that investigation, involving a recent widow (Angie Dickenson) whose late husband has been seen working in his private studio. As Norliss and the widow investigate, they unravel a plot involving Voodoo and the walking dead. Written by balkaster

老友重逢本该愉快又温馨，可是对于文斯（伊桑·霍克 Ethan Hawke 饰），约翰（罗伯特·肖恩·莱纳德 Robert Sean Leonard 饰）和艾米（乌玛·瑟曼 Uma Thurman 饰）来说，事情则完全相反了。原来，在文斯的心里，一直有个结无法解开，约翰抢走了曾是自己女友的艾米，即使多年过去，只要一想到这件事情，文斯心中的怒火就会重新燃起。 在交谈和寒暄之中，气氛渐渐变得紧张起来，看来，对于不堪回首的陈年往事，放不下的不仅仅只有文斯一人。在文斯激烈的质问之下，约翰终于承认，当年是自己强暴了艾米，才将艾米从文斯身边夺走的。如今真相已经大白，文斯心中的创痛能够被就此治愈吗？

暂无剧情简介

在千禧年之夜的寒冷中，12岁的贝芙莉（杰玛·布鲁克·艾伦 Gemma Brooke Allen 饰）发现了一盘被岁月打磨过的混音带，这是她父母年轻时录制的珍贵记忆。被祖母盖尔（朱丽·鲍温 Julie Bowen 饰）抚养长大的贝芙莉，对父母的往事充满好奇，尤其是父母离她而去后，这份遗物让她感受到一种神秘的联系。然而，盖尔对失去女儿的伤痛心境令她不愿多谈家族的过去。 贝芙莉决定追随磁带中的旋律，开始了一段充满探索与发现的旅程。在这个过程中，她结识了邻居艾伦，一个看似古怪却心地善良的艺术家，以及尼基，一个外表凶恶实则内心柔软的人物。唱片店老板阿反（尼克·图恩 Nick Thune 饰）也加入了这个特别的团队，他们不仅帮助贝芙莉寻找音乐线索，还在她心灵深处种下了友情与理解的种子。随着贝芙莉的旅程深入，她不仅发现了父母年轻时的梦想和爱情，更重要的是，她重新连接了与盖尔之间因沉默而失落的情感纽带。这段旅程不仅带给了她音乐的启示，更让她领悟到家庭和记忆的珍贵，以及人生中真正重要的东西。

千禧年前夕，笨拙的 12 岁孤女贝芙莉·穆迪（杰玛·布鲁克·艾伦饰）发现了一盘破损的混音带，这是她的父母在年轻时制作的。将贝芙莉抚养长大的祖母盖尔（朱丽·鲍温饰）曾经也是一位少女妈妈，并经历了丧女之痛，她不愿多谈这段伤心往事。贝芙莉则想趁此机会多了解自己的父母。于是她踏上了旅程，开始寻找磁带中收录的歌曲。一路上，她结识了古怪的邻居艾伦（奥德丽·谢饰）、看上去很凶的尼基（奥尔加·佩特萨饰），以及愤世嫉俗的唱片店老板阿反（尼克·图恩饰），他将为贝芙莉提供寻找歌曲的线索，并帮助她和盖尔重归于好。

故事发生在加利福尼亚州马里布的十年间，四名受欢迎的高中男生在毕业之夜神秘失踪。我们将跟随超自然现象调查小组，在马里布山上的一个神圣洞穴中寻找男孩们失踪的线索，最终揭开可怕的真相。

当身体逐渐化作星尘之时，莎丽（Shari）终于明白了对自己真正重要的东西。

In communist Romania, thousands of Western films on bootleg VHS tapes — mostly Hollywood action movies — were smuggled behind the Iron Curtain, opening a window into the free world. Under President Nicolae Ceaușescu, Romania was culturally isolated and ideologically censored. Images of life outside its borders were cut off and TV was reduced to propaganda bulletins. From the drab concrete housing blocks to the food ration lines, the threat of surveillance prevented people from stepping out of line. But in the mid-1980s, under the nose of the Securitate, Ceaușescu’s secret police, thousands of Hollywood films were smuggled into the country by an underground operative named Zamfir, and they were all covertly dubbed by Irina Nistor, a courageous translator whose distinct voice captivated the nation and became a symbol of freedom. As we see through evocative re-creations in Chuck Norris vs Communism, a network of secret screening rooms sprung up across Romania as families, friends, and neighbors gathered to watch action heroes like Norris, Van Damme, and Stallone, along with romantic comedies, dramas, and Hollywood epics. While the stories captured the imagination, it was the lavish settings and backdrops that mesmerized the audience. The films offered Romanians glimpses of the abundant West, which prompted the regime to clamp down on the clandestine screenings, casting an atmosphere of ever-present danger and suspicion.

In Krapp's Last Tape, which was written in English in 1958, an old man reviews his life and assesses his predicament. We learn about him not from the 69-year-old man on stage, but from his 39-year-old self on the tape he chooses to listen to. On the 'awful occasion' of his birthday, Krapp was then and is now in the habit of reviewing the past year and 'separating the grain from the husks'. He isolates memories of value, fertility and nourishment to set against creeping death 'when all my dust has settled'. One part of 19 parts for series "Beckett on Film" featuring filmed versions of Beckett plays, some screened at the 2000 Toronto International Film Festival and some on Channel 4 television in the UK in June 2001.

纪录片提供了对好莱坞典型明星伊丽莎白·泰勒生活的前所未有的探索。通过对泰勒个人档案的非凡访问以及七十小时新发现的亲密音频，这些坦诚的对话揭示了这位电影界持久偶像的多层面，展现了一个与公众形象格格不入、渴望尊重和自主的女性。影片摒弃了传统的访谈形式，让伊丽莎白的声音来讲述她的故事，挑战观众重新审视泰勒的遗产，不仅将她呈现为电影偶像，更展示她作为一名先行者，利用自己的明星身份从事人道主义事业，在世界上产生了真正的影响。